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Black Sheep
10-31-2003, 02:59 PM
RED BAILEY AND THE PUERTO RICAN (1946)

During the first months as a student at the University 
of Miami, Vince Marlo had lived in an Army Air Field 
barrack which was used as a temporary dormitory for the 
sudden influx of student war veterans after WW II.
When he landed a Job as an Neuropsychiatric Attendant 
(N.P. Aid) at the Veteran's Hospital in Coral Gables, he 
moved into one of the hospital dormitories.
One evening he decided to visit his old roommates still 
living in the Air Field barrack dormitories.
The night of Marlo's visit the barrack was full of ex-
G.I.'s hanging about.
Vince, dressed in sports clothes, entered at one end of 
the barrack and was warmly greeted by several students. 
At the sight of Vince, John Duffy folded his comic book 
and rolled out of his bed to greet his friend.
" Well, hello stranger."
John Duffy spent most of his time on his duff reading 
comic books instead of school text books. John's goal in 
life was to get passing grades so he could continue 
receiving his G.I. stipend of $65.00 a month.
" Hi Duffy. This is my first chance 
to visit since I got that job at the 
hospital. Let me buy you a beer."
" Your twisting my arm."
Vince and Duffy head for the far end of the barrack 
where Red Bailey and Marty Reisner, two weight lifters 
were pumping iron.
Marty was of average build with dark curly hair and a 
perennial smile stamped on his well proportioned face. 
His goal in life was to be a stand-up comedian, and he 
memorized hundreds of jokes which he was continually 
testing out on anyone within earshot.
Red Bailey was the best built specimen in the complex 
with his sixteen inch biceps and barrel chest. Bailey 
wasn't really a red head; his short cropped thinning 
hair was light blond, however, he insisted on being 
called Red instead of Blondy. With his imposing build 
and quick temper, he always had his way.
As Vince and Duffy passed the two weight lifters, Duffy 
stoped by Marty and Red Bailey.
" Hey Red ! Marty ! Lets soak up 
some suds at the Airport Terminal."
Marty dropped his weights and turned toward Vince.
" Hey Vince ! Did you hear the joke 
about the Rabbi and the priest ?"
Duffy pulls Marty by the arm toward the door.
" Come on. Tell it on the way to the 
airport lounge."
The four war veterans, all in their mid-twenties, go out 
into the dark, cut across the open field and head for 
the brightly lit Airport Terminal about a mile away.
It was a new moon, but a starry sky shed enough light 
for the foursome to pick their way through the landscape 
of tropical vegetation. The Airport Terminal acted as a 
beacon to guide them to their Port-o-Call.
All along the way Marty recited his repertoire of jokes 
about an Irishman an Italian and a Jew. Of course, 
Marty, being Jewish made the Italian and the Irishmen 
the butt of all the jokes. Red and Duffy being Irish and 
Vince being Italian took the ethnic jokes in good humor, 
insisting the jokes were being turned around, and that 
the Jew should be the buffoon.
Of the three companions, Vince was closest to Duffy 
with whom he had spent much time trying to help with his 
studies, but it was a futile effort. John was not the 
academic type and was doomed to fail college and would 
end up in a trade school of some sort in New England.
But tonight the mood was light and the evening was 
young, and with the exuberance of healthy adventurous 
animals, they raced the last hundred yards to the 
terminal, in an effort to get away from Marty's 
incessant jokes.
Trailing behind Marty yelled, " Hey You guys never heard 
this one about the Irishman, the Italian and the Jew in 
a rowboat in the middle of the ocean without a compass."
Marty's joke faded into the night as his three 
companions drowned the punch line with their laughter, 
racing toward the terminal.
In those years immediately following the War, there was 
a large number of Puerto Ricans relocating in New York. 
The Airport Terminal in Coral Gables was the first 
layover on the flight from the Island to the Big Apple.
As Red, Vince and Duffy, entered the Terminal 
Building, out of breath and laughing, they found the 
spacious waiting room crowded with the latest group of 
Puerto Rican transients.
One side of the room was brightly lit with concession 
counters displaying glittering jewelry, perfumes and 
souvenirs of all sorts under large plate glass 
showcases.
Along the opposite wall, some fifty feet away, were 
about 200 Puerto Ricans with their baggage, filling all 
the benches and overflowing onto the floor, seated 
against the wall opposite the commercial counters.
The contrast of the brightly lit concessions with their 
elegant gold and silver displays rang with an ironic 
incongruity against the indigent, tired looking 
travelers piled in groups along the opposite wall like 
dusty old rag-dolls in a dimly lit attic.
Ignoring the immigrants, Duffy turned to Vince.
" Marty thinks he's going to be a 
stand-up comedian."
" He does make me laugh, though. 
Here comes the joker now."
Marty enters smiling and out of breath. He pulls out a 
joke book from his pocket and thumbs to a given page.
" Here's a joke you guys haven't 
heard..."
Red interrupts Marty sullenly.
" Let's go to the bar."
As the group begins to cross the waiting room with Red 
strutting in the lead, a dark skinned, undernourished, 
young Puerto Rican man, happens to cross in front of 
Red's path. Red reaches out and rudely grabs the young 
man by the arm and jerks him around so they are facing 
each other.
" Where dee hell do you think 
you're going, Spick ?"
Vince, Marty and Duffy stop in dead in their tracks, as 
though a martial command had been given to Halt !.
The group of immigrants crowded to one side of the 
room, riveted their dark eyes on one focal point.
Red continued to rudely jerk the young man about.
" Why don't you dirty spicks stay 
where you belong ?"
With these last words Red shoves the man to the ground 
who falls to one knee as though in prayer.
Bailey, with his fair Nordic looks, his clean shaven 
well nourished face and athletic build, stood with legs 
apart and his fists on his hips. Like a replica of 'El 
Duce' Mussolini, Red's jutting chin and his expression 
of disdain lords it over the curly headed 'Ethiopian' 
who cowers below him in a posture of submission.
The young man who appears more like a teenager with his 
slight undernourished build, looks up fearfully out of 
wide open black eyes, speechless either out of fear or 
not understanding the sudden violence he is being 
subjected to.
All the Puerto Ricans moved restlessly as they 
witnessed the Blond muscle man physically abusing their 
unfortunate compatriot.
Vince, realizing Bailey had no intention of stopping his 
physical abuse, stepped up between Red and the Puerto 
Rican. In a gentle, calm voice Vince appeals to Red.
" Leave the guy alone, Red. He's not 
bothering anyone."
As the Puerto Rican slipped away, the atmosphere became 
intensely silent. Red's mouth slowly twisted into a 
cruel smile as his fair skin flushed pink with anger, 
and before Vince's eyes, Red is transformed into a 
ferocious looking animal with eyes popping out and his 
body trembling eagerly for a fight.



" I've been waiting for you to open 
your big mouth, you son-of-a-bitch. 
Now I'm going to kick your ass."
" Take it easy, Red. I don't want 
to fight you. Come on. Let's get 
that beer and forget about the 
whole thing."
" I've seen you leaving the Copa 
with Doris after hours. She's my 
girl. You chicken-**** little pimp. 
I'm going to tear your ******* 
inside out. "
Unknown to Vince, Red had been dating Doris Markley, a 
chorus girl from the Copacubana in Miami Beach until 
Vince came on the scene, and then Doris dropped Bailey 
like a lead balloon.
" Red I never knew she was your 
girl. Doris never mentioned you. "
As usual with bullies, the weaker their opponent 
appeared, the more brazen they get. Vince's reluctance 
to fight only fired Bailey to a higher frenzy.
"You've been cutting into my 
territory. Doris is my girl, and I'm 
going to teach you to stay away from 
her from now on."
Vince made a quick silent decision.
" I can stand here and let Red 
beat up on me, or I can get in one 
good punch before he starts."
As Bailey raised his hand to push Vince, Vince not 
wanting to miss Bailey's mouth, reached out with his 
left hand and held Red's by the back of his thick neck 
and quickly followed with a right fist full force into 
Red's mouth, and the melee was on.
Bailey, stunned by the punch, staggered back a couple of 
steps with a surprised look on his face that quickly 
changed to a raging snarl. Red threw up his arms like 
two giant horns and charged Vince like a bull.
Locking his arms around Vince's waist and lifting him 
off the ground, Red carried him toward the large glass 
display counter filled with souvenirs and thrashed 
Vince's back across the display case with such force 
that the counter was demolished completely with 
shattered glass splattering all over the place.
How Vince survived the body slam across the glass 
display counter without receiving an injury was a 
miracle. Perhaps the crumbling glass under his back 
acted like a cushion and reduced the force of the slam.
In any event, both men pick themselves off the ground 
which was strewn with shattered glass, broken wood and 
valuable souvenirs. Neither one of them have a scratch, 
except for Red's mouth which was bleeding from 
Vince's initial punch.
Vince had assumed that the physical destruction of the 
souvenir display case ended the fight, but Bailey wiped 
his hand over his bloody mouth, took a look at his 
bloody hand and became more enraged then before.
Vince saw Bailey standing only twenty feet away, ready 
himself for another charge. Vince was still too dazed 
by the impact against the showcase to avoid the charge.
As Vince sees Red through blurred eyes begin another 
raging charge, he hears himself mumble.
" Oh **** ! Here he comes again."
\Vince had no time to fully recover from the body slam 
before Red again grabs him around the waist and raises 
him into the air for a slam against the concrete floor.
Realizing he would be body slammed again, Vince's only 
thought was to protect his head. As he felt himself 
being thrown down backward toward the concrete floor, 
he instinctively pulled his head forward over Bailey's 
shoulder, like a babe hugging his mother.
Fortunately, he caught the brunt of the impact against 
the stone floor with the back of his shoulders and 
avoided hitting his head altogether.
When Vince opened his eyes he found Red sitting on his 
mid-section with his hands pinned to the ground on each 
side of his head.
For a moment Red could not decide what to do, so he held 
on tight to Vince's struggling hands, and just stared 
vacantly down on Vince.
Suddenly Red decided to let go of Vince's left wrist in 
an effort to punch Vince in the face. Vince had fought 
many bullies during his childhood in the Italian 
Ghettos, but he never hit a man when he was down.
Now Vince found himself under a man with sixteen inch 
biceps getting ready to paste one on his face.
Vince quickly used his free left arm to encircle Red's 
neck and pull himself up so that his head was on the 
opposite side of Red's head, out of range of Red's right 
fist which was restricted by his bulky arms.
Red then used his free right hand to push back Vince's 
left hand back to the ground, and switched to using 
his other hand to punch Vince, but Vince once again 
pulled himself up with his free right hand to the 
opposite side of Red's head, away from Bailey's fist.
before Red can attempt another punch, a very large 
blue uniform looms above in Vince's sight, as he hears 
a deep voice bellow out.
"Break it up, boys ! Break it up 
before I use my club !"
The policeman grabbed Red by the back of the jacket, and 
Vince felt the weight on his waist removed as Red was 
lifted to his feet by a cop who was bigger than Red.
The fight was over, but now perhaps a worse predicament 
presented itself. The concession had been reduced to 
shambles. The damages and the public disturbance would 
probably be a good enough reason for being expelled from 
school and also be given a jail sentence to boot.
The Dade County Police Department of Florida was well 
known for their harsh treatment of law breakers, 
especially if they were ' niggers or yankees'.
Vince had personally witnessed a group of policemen 
clubbing a black man mercilessly in front of a 
convenience store only a few weeks before.
As Vince gets to his feet, he is relieved at the 
reprieve from Red's attack, but now becomes 
apprehensive over the possibility of arrest.
Both veterans are now confronted by a large, heavy 
built cop standing with one hand resting on his pistol 
holster with the flap opened.
Indicating with the sweep of his free hand the damaged 
area, the stern looking officer asks grimly.
" What dee hell is this all aboot ? 
It sho looks like you ol' boys had a 
grand time tearing this place up. 
Now who do yo all s'pose is gonna 
pay fo all this c'hear mess ?"
The young men hang their heads in depressed anxiety as 
the policeman continues.
" You both are under arrest. Now 
let's move over yonder by the 
telephone booth. "
The Policeman points the way with his left hand while he 
rests his right hand on his gun. Red and Vince are 
herded toward the telephone booth like two incorrigible 
children on their way to the woodshed.
The cop enters the phone booth, and begins to dial. The 
two men are in full view of the officer.
" Sgt Foley here. Send down a patrol
car to the Airport Terminal. I have 
two violent prisoners here who just 
destroyed half of the concession 
stands."
The cop makes a providential move, inviting the young 
men to escape. In order not to be overheard by Vince and 
Red, the Cop turns his back to his prisoners.
Vince had already thought out the possible consequences 
of the arrest, and had made up his mind to escape at 
the first opportunity.
Growing up in an Sicilian Ghetto in Brooklyn, Vince had 
occasion to run from the Irish cops many times during 
his youth when committing petty crimes, and although the 
circumstances were much more serious in this case, he 
didn't hesitate for an instant.
He realized he would have to take Red with him in his 
attempted escape or risk Red squealing on him.
As soon as the cop turned his back to them, Vince 
beckoned Red with his hand and they began moving toward 
the exit some twenty yards away. They got as far as the 
exit without being detected.
Just as Vince placed his hand on the door knob, the 
Cop's voice booms out.
" Halt or I'll shoot !"
Vince turns and sees the Cop standing outside the booth 
with his hand on his gun holster. Without hesitation, 
Vince decided to bolt out the door and make a dash for 
freedom with Bailey hot on his heels.
Outside the door, a long narrow platform runs along the 
building with an overhanging roof spraying the flood 
lights out front, but at the back end of the platform 
was a pitch black hole. Vince heads for the black hole 
at the rear of the building some thirty five yards away. 
Red's heavy footsteps echo behind him. Ten yards from 
the end of the platform they hear a second warning:
" Halt or I'll shoot !"
And almost instantly two consecutive explosive sounds 
reverberated in the night like two cannon shots.
The gun shots only spurred the fleeing boys on as they 
leaped off the rear platform into the safety of the 
pitch blackness. Rolling as he hits the ground, Vince 
picks himself up and begins running blindly into the 
spinning vortex of the black night, stumbling over 
shrubs and running into trees, tearing clothes and 
bruising his body.
Behind him Vince heard many voices yelling in hot 
pursuit, joining the cop in his chase. Bailey had made 
enemies of every Puerto Rican who had witnessed his 
bullying of their compadre before the fight began, and 
now they relished the hunt for him with a vengeance, 
yelling their obscene threats with Spanish accents.
At first, Vince hears Red's heavy breathing and his body 
thrashing behind him. Soon the sounds diminish and he 
is running alone in a deep irrigation ditch full of 
bulrushes that whip across his face and arms. Full of 
anxiety he runs along the soggy bottom, oblivious of 
the snakes and alligators that inhabit these gullies.
The excited yells of the pursuers soon fade into 
indistinct broken echoes and then die entirely, until 
only the night music of the creatures in the tropical 
jungle remained.
Soon Vince came to a large corrugated viaduct running 
under the road. The road led back to the temporary 
barrack dormitories. Vince climbed up out of the gully 
onto the road and headed in the direction of the 
barracks silhouetted in the distance with yellow light 
streaming out the windows.
As Vince trudged down the darkened tar road toward the 
barracks he mumbled his fears.
" If Red got caught, he'll squeal 
on me for sure. Marty and Duffy will 
be back to the barracks by now. They 
will know if Red made it or not."
Vince walked in the center of the tarred road which 
curved like a purple ribbon through the silhouetted 
tropical landscape. For the first time he became 
pensive of the deadly animals that inhabited the area.
Now that he was safe from the gun toting cop, he looked 
carefully where each foot fell on the darkened road, 
fully cognizant of the deadly coral snakes whose bite 
killed within minutes, and the other dangerous scorpions 
and the gators.
When he was close enough to the barracks that lay off 
to the left side of the road, he left the road and 
headed for the last barrack in the row of buildings 
where he hoped to find Duffy and Marty the 'Joker'.
As he came within hearing distance of the barrack, he
became relieved to hear the sounds of laughter and loud 
voices flow out into the night. He entered the building 
feeling that all was well.
Inside the barrack Marty and Duffy were in the midst of 
a group of young men, relating the events of the 
evening. Laughter broke out as Duffy told the story.
" As soon as the cop turns his back 
on them, they lickety+-split out the 
door with this big red neck cop 
chasing and shooting at them."
At this point Vince entered the barracks and was warmly 
greeted with pats on the back and chuckles. After the 
good natured greeting were over with, Vince asked the 
crucial question.
" What happened to Red ?"
Duffy made a hand motion toward the latrine at the end 
of the barrack, and chuckled.
" He's in the latrine licking his 
wounds."
Apprehensively, Vince took a deep breath and heads for 
the latrine. Duffy, Marty and the rest of the men 
follow.
Vince had some washing of his own to do from the 
scratches inflicted by the bulrushes in the swampy gully 
he ran through during his escape.
He was also anxious to see whether the issue with Bailey 
was at an end, or if he still harbored any further 
thoughts of combat.
Vince stops two basins away from Red. Neither one of 
them acknowledge the other's presence.
As Vince also begins to wash the dirt from his face and 
body, Duffy and Marty hang inside the doorway with the 
rest of the students looking over their shoulders.
Finally, Red and Vince take side glances at each other. 
After a few tense moments, Vince turns and looks at Red.
" Where did you disappear to ?"
" I decided to hide behind a tree."
" You're lucky they didn't find you, 
Red."
" One guy did spot me but I bent 
down real low and covered my hair. 
He must have thought I was you, and 
pretended he didn't see me."
Vince continued to wash the dirt off his bruised arms 
and face, while Red examined his bleeding gums in the 
wall mirror.
Whining pathetically, Red bleated like a calf.
" Look what you did to my mouth. "
Red opens his mouth for Vince to inspect like a hurt 
child showing his mother his boo-boo. The blood still 
runs from his front teeth over his lower lip.
" My two front teeth are loose. "
" Just remember, Bailey. You started 
the fight. Youse axed fer it, so 
don't bitch."
Vince finishes his washing, picks up a paper towel, 
wipes his hands, and with a gesture of finality 
pitches the wad of paper into a corner trash can.
As Vince exits the latrine, he takes one last look over 
his shoulder at Red who has seated himself on one of the 
commodes and is still nursing his bleeding gums.
The group by the door follow Vince as he exited.
Red Bailey the Bully was left alone as he sat dejectedly 
on one of the commodes. The muscle man seemed to mimic 
King Kong as he wiggles his two front teeth and wipes 
his bleeding teeth with a bloody wash cloth, and then 
inspects the blood with a strange curiosity.

Black Sheep aka Vince Marlo

Black Sheep
11-01-2003, 05:44 PM
MY KERRY BLUE TAIL

Guy never lost a teaching hour, but taught with his 
left arm in a improvised sling that next Monday. He 
treated the dislocated elbow injury as a minor bruise
that would heal itself, and did not see a doctor for a
proper medical diagnosis, and would end up with a stiff
elbow that ended his Ballroom Exhibition career. Guy
immediately began modern Jazz dancing which didn't
require a good elbow.

While Guy's dislocated elbow was still in a cloth sling,
the ceiling in the studio kitchen began leaking with the
first autumn rains. That next Sunday while the studio 
was closed and Janine was gone, Guy had picked up a 
can of roofing tar and decided to make the repairs. 
The length of the building was 150 feet long and 50 
feet wide. The dance studio took up the front third 
of the building and rose to a second floor, The 
living quarters took up the back third of the 
building. Between the two second story structures was 
a one story garden roof; a 50 sq. ft. open area.
In order to patch up the leaking studio kitchen 
ceiling, Guy had to go out onto the garden roof, 
lean a ladder against the studio wall, and climb up 
to the second story leaking section of roof. Guy 
managed with some difficulty balancing while climbing 
up the ladder holding the can of tar with his one 
good arm with the tar spreader in his hip pocket.
The studio roof had a flat area strip about eight 
feet wide that ran over the hallway and the kitchen. 
From that flat area, the roof rose to a fifteen foot 
peak above the dance floor. The peaked roof on Guy's 
side was covered with tar paper, but the front part 
of the roof facing the street was covered with smooth 
Spanish clay tiles.
Guy had been a dog lover all his life and usually had 
a canine companion around. Ole' was a Kerry Blue 
Terrier, about fifteen pounds. While Guy was busy 
repairing the roof, Ole' had climbed up the ladder 
onto the flat area where Guy was working. When Guy saw 
his puppy at his side, he was merely amused at the 
dog's talented climb. Only a few minutes passed when 
Guy turned around to check on Ole'. The dog was gone! 
He looked down to the roof garden, but Ole' was 
nowhere below. He called but the pup did not respond.
For a moment Guy was stymied, then a fear of the worst 
scenario struck him. Guy crawled up toward the peak of 
the tar-papered roof on his two knees and his one good 
hand. When he finally got to the top of the roof he 
was able to see that his worst fear had indeed 
materialized. Ole' had slid down to the bottom of the 
roof, and was supported by only his hind legs set in 
the narrow rain gutter at the very edge of the roof.
Ole' desperately attempted to scamper up the smooth 
orange clay tiles. With each try, Ole' would scratch 
his way up a couple of feet and then slide back down 
with his feet just catching in the rain gutter. 
Realizing that Ole's back slides could throw Ole' off 
balance and cause him to fall 60 feet below, Guy 
gave his dog the command, 'Stay !'.
The first command Guy trained his dogs was 'to Stay', 
and Ole', fortunately, trusted Guy enough to stop 
his futile clambering up the smooth clay tiles. The 
obedient pup stood frozen with his hind legs set in 
the gutter and his front paws resting on the tiled 
incline, looking up with trusting but pitiful eyes. 
Both Guy and Ole' were fully aware of the danger that 
loomed over them like a stormy cloud ready to burst 
and drown them both with the full fury of tragedy.
Guy quickly went through his Options: Get to the 
phone and call for help. No one was available that 
Sunday afternoon, Guy was all alone. Go and get a 
rope and somehow use it as a safety line. Shimmy down 
the roof on his stomach. No, his injured elbow could 
not take it. Sit on his ass and inch down the tiles 
to the gutter. He realized he would slide 
uncontrollably on his smooth pants and his shoes would 
not give him the traction. His mind raced through the 
options, and finally decided on a possible solution.
Guy quickly removed his shoes and stockings and using 
his bare feet for the necessary traction, he started 
to inch down to Ole' in a sitting position. The 
progress was slow and all the time Guy was gently 
encouraging Ole' to 'Stay Ole'. Stay baby. Good 
boy. Just stay now. That a boy'. Guy was finally 
alongside, with Ole' to his left. If Ole' panics it 
could be the end because they both were now situated 
on the very edge of the slippery Spanish tiles with 
Guy's feet resting inches above the rain gutter.
Finally, Guy threw his right leg over Ole's body 
ensconcing him in the crotch of his legs. The slow 
progress to safety began with Guy inching up a measure 
on his two knees and on one good right hand. His left 
arm in the sling was useless. His bare toes gave Guy 
the needed traction to prevent his sliding backward. 
This process of moving up a few inches at a time and 
then readjusting Ole' to a higher place under his body 
with his right hand was repeated many times until the 
peak of the roof was successful breached, and they 
were inside the tarred portion of the roof.
Ole' could climb up the ladder, but climbing down was 
impossible, so Guy had to hold his beloved companion 
under one arm as he carefully climbed down the ladder 
backward, until both were safely on the garden roof.

1963:
Guy was traveling through the northwest as a salesman
for Colorvision International selling movies to TV stations.
Idaho was just ahead, and he decided to drop in on his first
wife Janine who he had not seen since their divorce in 1952.
Guy drove down the road to her ranch home with a horse corral
on one side and the Snake river on her front porch. As Janine
opened the door there was a little Kerry Blue at her side.
Janine followed Guys glanced down at the dog. "I think he
remembers you. It's Ole'. He's still hanging on and going on
fourteen years."
Black Sheep aka Guy

Black Sheep
11-03-2003, 10:29 PM
THE BANK ROBBERY
(1954)

When Guy realized Janine had absconded with his car, 

his first order of business was to acquire 

transportation. Once again it was Smiling Willie who 

would lead Guy on a road that would catapult Guy into 

a complicated and exciting misadventure.

In appearance, Smiling Willie was a throwback to the 

Portuguese mariner with sun blackened skin enough 

to pass as a negro, but with sharp Caucasian features 

framed with a beautiful shock of thick stranded black 

wavy hair. Willie had an adrenaline energy to equal 

Guy's. He walked with a slight bowlegged gait that a 

sailor might have after years at sea. Willie was an 

enterprising entrepreneur, who ran a car detailing 

operation on Wilshire Boulevard. He knew everything 

about cars, from the best mechanics to the best deals 

in car prices. Guy decided to consult Willie about 

buying a new car to replace the hijacked one.

" I can put down a thousand bucks."

" There's a Chevy dealer on Western on the other

side of Wilshire. I can get you a good deal."

" Will they take my personal check ?"

" You better get a cashier's check to make

sure."

" I am booked pretty solid, but I can get the

cashiers check on my lunch break today, and we 

can buy the car Saturday afternoon."

That Saturday evening, Guy gave the salesman the 

Cashier's Check of $1,000 (equivalent to $10,000 in 2003) and drove

home his 1954 mustard colored Chevy. When he arrived home and

had found time to go over his car dealer's contract, he 

discovered that the salesman had tacked on an extra 

thousand dollars to the price that Guy had agreed to 

pay. He immediately called up the manager and 

questioned him about the discrepancy.

" You're a big boy ! You signed the contract,

now you have to live with it."

Bummer ! Guy had all day Sunday to fume over the 

way he had been defrauded out of a thousand dollars 

by the car dealer. He decided to get his Cashier's 

Check back, by hook or crook. The plan was not fully 

developed in his mind, but what the hell! It might 

work.

Guy's Cashier's Check had been drawn on the Bank of 

America on the corner of W. 3rd and Western Avenue. 

Guy assumed that the car dealer would be anxious to 

cash the check, and would probably go to the same bank 

that the check had been drawn on. Of course there was 

no legal way to stop payment on a Cashier's Check, 

but Guy had to play his hunch card. So before the 

Bank of America opened for business that Monday 

morning, Guy joined the small group of customers 

milling around waiting for the front doors to open.

There were two women and four men present. Guy 

eliminated the women as couriers of his check. One of 

the four men might be the courier. But which one ?

The bank doors finally were opened, and the small 

group hurriedly lined up at the single teller's 

window. Guy stood back and to the left of the line, 

trying to recognize one of the car dealer's salesmen, 

but none looked familiar. The first woman in line was 

already conducting her transaction. The second person 

was another women, and then Guy saw his cashier's 

check held in the left fist of the third person in 

line. And he was a heavy weight. However, that did not 

alter Guy's intent as his mind raced to employ his 

strategy.

" Now, how do I to get him out of line ? I've got 

to get him outside. If I start anything inside 

the bank, the cop will definitely interfere. 

I've got to appeal to his greed. Let him think 

he can make an easy score."

Guy sidled next to the man to visually attract his 

attention. The moment the man saw Guy, he stuck his 

hand with the check into his jacket pocket. Did he 

recognize Guy ?

" Excuse me. I have something to tell you. It's 

a way of you making a quick hundred."

Guy got his immediate full attention. For a moment 

the man became a Blood Hound with his flappy ears 

having stiffened straight up and thick lips drooling.

" Uh, how ?"

" Not in here. It's confidential. Let's get

outside I'll tell you all about it."

As Guy led the way, the man peeled out of line at the 

teller's window and followed the scent of moolah like 

an irresistible genetic instinct true to the nature of 

his greedy breed. Guy was ecstatic as he realized the 

mamaluke (oaf) was close behind. When they got 

outside, however the man stopped two feet outside of 

the entrance with his left hand still securely stuffed 

in his jacket pocket, with the saliva of the blood 

hound wetting his loose lips at the thought of his 

future wealth.

" What's the deal?"

" Now you are from Western Chevrolet, right ?"

" Yeah. So ?"

The big man takes a cautious step backward, suspecting 

a ploy of some sort that his thick mind could not yet 

unscramble. Guy knew there was no time to lose. The 

cat was out of the bag and his quarry about to flee 

back into the safety of the bank. Guy takes a couple 

of quick steps toward the man, and with both his hands 

dives into the man's left pocket. There was a 

momentary struggle with the three hands in one pocket, 

but finally Guy pulls the man's left hand out of the 

pocket with the cashier's check still in his clutch.

Now there were four hands in a confused matrix, two 

hands trying to keep possession of the check, and 

Guy's two hands wrestling to open the one hand and 

wrest the check free. Finally Guy pries the hand open 

slightly and quickly with his mouth bites into the 

loosened check and pulls it safely out of the man's 

grasp and turns and runs. When he looks over his 

shoulder, and sees the man in hot pursuit, Guy stops 

and faces the man who also stops some yards away.

" Ok! You want the check back that bad ? Come 

on you mother f---ker. Come and get it !"

" I'm going to lose my job if you don't give me

back the check." .

" Too bad ! Now just turn around and go home."

Guy had been mad enough to kill, but he got his cashiers

" I'm going to lose my job if you don't give me

back the check." .

" Too bad ! Now just turn around and go home."

Guy had been mad enough to kill, but he got his check 

back with only a few wrinkles, and he was appeased.

It was early Monday morning with no lessons booked 

until late afternoon, so Guy returned to his second 

story studio where he also had his two bedroom 

penthouse at the rear of the building and tried to 

relax after the traumatic experience of stealing back 

his $1,000 check in front of a bank. But in less than 

an hour his door bell rang.

Guy stealthy walked across the garden roof that 

separated his living quarters from the front dance 

studio. There was one large hall window in the 

studio that set directly in front of the wide 

staircase leading down to the entrance. Guy stood on 

the garden roof discretely to the side of the window 

and glanced quickly through the outside window down 

the staircase to the front doors.

" Oh my God ! Two cops. I better go out the

back way. If they get me, I'm in the slammer 

for sure. I can go to Ray the Racer's place 

until this blows over."

Guy ran to the back of the building, towards the old 

outdoor rickety wooden staircase. His landlord was 

sitting outside his back door relaxing. Guy's feet 

missed the first top step and like a surfer sliding 

down a mother wave, Guy managed to maintain his 

balance as his heels clippity clopped down the thirty 

two wooden steps. The landlord was speechless as Guy 

climbed over the ten foot high chain link fence into 

an alley and onto West 1st Street. He then took a left 

to Manhattan and right to Beverly Boulevard just in 

time to catch a bus that was pulling up to the corner 

of Western Avenue traveling toward Alvarado. As the 

bus crossed Western Avenue, Guy looked out the 

window toward his studio and saw that the cops were 

still at his front door.

Guy's destination was back to his old hunting 

grounds, where he knew he could expect refuge from the 

law. Ray the Racer and his wife Sparkle Plenty, lived 

two blocks past Alvarado on Bonnie Brea. The next morning, Guy woke up on Ray the Racer's coach and phoned his attorney, Foss who gave him stern counsel.

" Guy, do not go anywhere near your studio. Now 

I probably can get them to drop the charges 

against you if you still agree to buy the car."

" I'll buy the car at the agreed price, not

that extra thousand they scammed me for."

" I'll call you back when I get it settled."


By nightfall, Foss had solved the problem to Guy's 

satisfaction, with one phone call to the car dealer, 

and Foss never charged Guy for his services.

Now that Guy no longer was a fugitive from justice, 

he could continue his courtship with that terrific 

dancer, Beverly Mayo.

Black Sheep

Black Sheep
11-04-2003, 06:23 AM
MR. COLBY THE COYOTE

In 1963, I had dropped off to see my first wife, Janine who I had not seen since 1952. I stayed over night at her ranch house setting on the banks of the Snake River in Lewiston, Idaho, with my estranged 14 year dog Ole' who I had rescued form that second story drain pipe in 1951 constantly at my side while we had dinner with Janine's three teen age boys, then after they went to bed, we fished off her back wharf and caught a golden four pound golden trout within 10 minutes of throwing in the line. "That will be our breakfast", Janine remarked. We sat out on the wharf looking across the swift flowing river and the summer camping grounds of the Nez Perce' Indians before the White Men dislodged them. "The Nez Perce Indians were the only Indian Tribe that was never defeated in a war with the US ARMY", Janine said rather proudly, though she was a pure Anglo Saxon. "Tomorrow my university class is going on a field trip in that very area across the river to look for Indian Arrow heads. I recall you were always interested in archeology. Why don't you join us?" I hesitated before I agreed.
After several silent moments with us sitting in on the back wharf with Ole' at my side, mesmerized by the river's rippling surface bouncing reflected stars like jewels tumbling at our feet, Janine half whispered, "I'm sorry about how I treated you during our marriage!" Twenty seven months of a sexless marriage with who I thought was a frigid woman, after our divorce had married three more times and had five boys in six years.
Janine's apology care fourteen years too late, but I replied with the same half whisper in solicitation, "It's OK, I understand. It wasn't your fault; that premarital abortion must have been traumatic for you."
I arose before sunrise the next morning, Jotted off a note to Janine, left it on the breakfast table and took off for Montana. I could not bear another day with the memory of a very lonely and emasculating 27 month marriage; after 14 years, it was still too painful.
My last stop in Idaho, I filled the gas tank of my Golden Convertible Caddy Coup De Ville with a warning from the gas attendant, "It's 270 miles to the nearest gas station, so conserve your gas when you can". The next 200 miles was through a primeval pristine forest with brown bears and cubs and stately antlered dear silhouetted in the misted lacy forest standing by the road side like so many hitch-hikers looking in wonder at the golden Chariot passing by.
Coming down that last 70 mile straight lumber road from Idaho into Colby, Montana in 1963, was one of the most terrifying rides of my life which I'll tell about someday.
At the bottom of this 70 mile slope I was going over fifty and did not see
the right angle turn at the bottom of the road before I came onto it.
Before I started this cross country traveling sales job, selling films to TV
stations across the Northern States. I promised myself for my own safety, that if an animal crossed my path on the road, I would not swerve my car at high speeds to avoid hitting the animal and thereby lose control of my vehicle. This was a sensible decision I had to make, no matter how much of an animal lover I am.
Just as I came barreling down this desolate logging road in my 1962 Coup De ville, I cut the sharp corner, drifting to the far
left shoulder of the road in a cloud of dust. I hit my accelerate to
increase the traction of my tires too avoid spilling into the desert shrubs.
And in an instant a young dog ran right in front of my vehicle. My heart
stopped beating as I ran straight over the doomed animal, having conditioned myself to do so in that given circumstance. As I slowed the car down to a stop about a hundred yards away. I pulled over to the left shoulder, and looked through my rear view mirror back to where my victim should be laying on the road with bloody broken bones. But the road was clean of any objects.
I slowly began backing up my car, hoping to find the injured dog and give what care would be necessary. As I continued to check my rear view mirror, suddenly the dog popped out from the roadside desert shrubs onto the center of the road. 'That dog will surely get hit by the next car coming around that sharp curve', I thought to myself.
I stopped the car not 50 yards away, not wanting to frighten the animal back into the miniature jungle of thorny sage brush which was impossible for me to enter, and alighted from my car slowly.
In my childhood, I had acquired a lot of experience recapturing the many
family dogs that often broke away from our yard, so I knew before hand it was going to take time and patience before I could get close to grab, what looked like a lost dog.
Two hours later after some aborted attempts with the young pup running back into his cover of a thorny tangled sage brush jungle, and a lot of sweet talking cajoling, he came close enough to smell my opened hand beneath his nose, and with one swift move I had him by the scuff of his neck, dangling in the air with his teeth trying to snap at my hand holding him from above; he could not't have been more than five months or so old.
Getting a rope around his neck from the trunk of my car took time as he
seemed to settle down. I tied him to a sturdy shrub; rolled down the top of my convertible, closed the windows, and gently and cautiously half pulled and half dragged the dog into the back seat.
A mile or so down the road I came a gas station in front of a general store and as I refilled my near empty gas tank after that 270 mile trip from the last gas station, I asked the gas attendant, if he knew whose dog it was in my back seat. He took one look and said, "That ain't no dog. It's a Coyote. They ain't no good. You might as well throw him away."
I had caught a wild Coyote with my bare hands. And I never did throw Mr. Colby the Coyote away!
Black Sheep

Black Sheep
11-05-2003, 11:31 PM
History Buffs,
Looking back to the 1950's I have some questions that have never been answered concerning the dancers who 'DID NOT' enter the contests.
New York up until 1950 had been the Mecca of the Lindy Hop. With the mass incursiions of Carribbeans into New Yor Citry after WW II, Latin dances pushed the Lindy onto a back burner.
This situatuation did not take place on the West Coast, however. Especially in Hollywood where dozens of Rock and Roll films were being produced during this period, resulting in a strong surge in the popularity of Swing dancing in this area. In this period, there were, incredibly, only two forms of Swing Style: the Chain Studio Swing (CSS), a watered down version of the Lindy Hop which eventually became called West Coast), and the Savoy Lindy Hop (Known by the West Coast vernacular in the 1950's as 'Street Swing').
When Tommy Smith challenged Joe Lanza to get into a swing contest, Tommy assumed Joe was using the Chain Studio Style which could never compete with the more sophisticated Savoy Lindy. Unknown to Tommy, Joe had converted from WCS to Street Swing (Lindy Hop) thanks to Dean Collins' teaching residence at Joe's Dance Studio for the previous two years.
Now these 'Questions' I referred to at the beginning?
During WW II, Dean Collins and Lenny Smith with a few other war deferred civilians, dominated the Swing contests and danced in those war time films, ironically in USA uniforms. When the war was over the returning veterans and some youngsters like Gill Brady, Rick Hanna and Tommy Smith, who were too young for army service during the war, began to dominate the swing contests.
By the time Joe Lanza was challenged to enter these contests, he was in his 30's along with the other 30 year olds, Dean Collins, Lenny Smith, Lou Southern and Hal Trakier just to mention a few. The question that is unanswered for me is, 'Why did these 30 year olds Quit competing in these Swing Contests?" It certainly could not be their age? Could it be that the competition got to be too much for them? And they decided to rest on their past performance reputations?
George Christopherson was a returning War Veteran as was Joe Lanza, both in the 30's and they danced in that historic contest at the Hollywood Tailspin in 1956. Why was this an Historic event? Besides introducing two original aerials never duplicated on film before or since, Joe Lanza was to dance with two different partners in the same contest against these same two ladies and their own regular partners...after only one weeks rehearsal with Pepper and Darleen.
Would this turn out to be a fiasco or a triumph for the Dancer?
(NEXT: The Contest)
Black Sheep

Black Sheep
11-07-2003, 03:25 PM
DOG LOVER'S,
There was a remarkable incident that took place in 1956 at the Hollywood Tailspin that defies explaining. Around the evening of this contest, Joe parked his car several doors away from the Tailspin, and left one window some four inches wide so Pepe, Joe’s charcoal miniature French Poodle would have enough fresh air while he was at the Tailspin.
An hour or so later, Joe had been standing at the crowded bar chatting with a group of Dancers. When of a sudden, one of the chaps pointed to Joe’s feet, “Hey! Look at that dog!”
To Joe’s amazement, Pepe had obviously been able to squeeze out of the car window, and despite the fact that the poodle had never been in the club before was able the smell his master’s scent and track him into the club, and then among a packed noisy house of almost a hundred patrons, Pepe was able to find his master, Joe.
Just another instance of the canines' uncanny perceptions superior to humans. And some people refer to them as, 'Dumb Animals'.
(SWING CONTEST NIGHT NEXT)
Black Sheep, votre narrateur

borikensalsero
12-24-2003, 11:28 AM
To never forget

Exasperated I speedily race to el Maguito. El Maguito is a small bar frequented by salseros. It has a small wooden dancefloor, proudly displaying its war wounds in form of scuffed wood tiles, splintered edges, rubber shoe streaks and what seems like a million different shades of wood color from the years of sunshine coming from the small ceiling window.

El Maguito has been our place every Thursday night for the past few years. But for a while now, I find myself alone. I’m heading in its direction, once again, uncertain as to why. We have been apart for almost a year now and each visit to el Maguito welcomes me with hopes of you, but sarcastically waves goodbye as it sees my lonesome shadow disappear into the eyes of the night. Stenches of beer from the drunken few who come see the ladies shake their soul seem to be my only companion on the way home. It seems to follow me until the cold shower washes my hopes of you away and start soothing my aching soul to sleep.

Today, I have arrived early. Perhaps you have left before I’ve arrived and it's likely why I’ve missed your sight so many nights. I sit at the bar anxiously awaiting the entrance of what I’d like to think as the recipe to a beat-less heart and a lifeless soul. I’ve been drinking this night, I have nothing to look forward to, the cuckoo clock forces two agonizing “cu cus” through the crowd and into me- stabbed into my heart. …Two AM and not a sight of you. You have never come into El Manguito beyond midnight. A tear escapes my right eye, glides to the tip of my nose, catching a bit of my lips as it makes its way to the floor, leaving behind its salty taste, and exploding on the floor, at least so seemingly to me.

As I get up I see your big sparkling eyes rushing in. Cancion, from La Sonora Ponceρa plays from the old jukebox. One of your favorite songs, you scan the dance floor for who can only be passion's most devout dancer, next victim. You are wearing a red dress, hair curly, back, and shiny as can be, wearing next to no make up as a sight of perfection needs no help to be deemed so. As you turn around to look behind you, I see the contour your red dress makes as it hits the lower back and roundly lifts into what has become the attraction of every man at Manguito's. The open back of the dress bearing your shoulders, coming together at an angle as it slides from your upper back, to where everyone seems to be staring, until both sides of the dress meet forming the top part of an upside down triangle. Your back is bare, as exposed as what my heart has been until the hopes of tonight gave it refuge.

I make sure to stand up in the hopes that you see me as your victim. You have, as you make your way to the bar, I try to swallow whatever saliva hasn’t dried from the mouth-open encounter you have forced in my reaction.

You quickly wave hello, grab my hand and rush to the dancefloor. Neglecting to see that I have never gotten over you. We stand face to face to where you look up and gleam your eyes in my direction. Once, again your soul opens in my presence. I had forgotten, you whisper in my ear as I hold your waist with my right and your right hand with my left. As the lyrics lose meaning, you and I elevate to the doors of heaven, our souls have passionately embarked in a journey of their own. In the distance I hear, Hector Lavoe’s passionate voice singing “Estuve soρando que ya tu habνas vuelto, que me perdonabas, que dulce momento. Pero al despertarme, vi que no era cierto, estaba soρando, soρando despierto” (I had been dreaming that you had returned, that you had forgiven me, how sweet the moment. But upon awakening, I saw that it was not true, I was dreaming, dreaming awake.)

Pillow wet, eyes puffy, I fearfully struggle to open my eyes and not find you. Soon I hear, “Yo vi llorar un hombre ante un espejo. Por un amor que le negara el cielo, Y asombrado me dio un escalo-frio al ver en el espejo el restro mio.” (I saw a man cry in front of a mirror. For a love that the heaven denied him. Astonished, chills overtook my body as I saw my own reflection in the mirror) But it wasn’t Hector Lavoe singing, it was you, the one to never forget.

danceguy
12-25-2003, 07:05 PM
Boriken -

Thank you for sharing this...please get your writing published real soon! :)

:notworth: :notworth: :notworth:

pygmalion
12-25-2003, 07:07 PM
Yeah, SG. Boriken is a poet. One day soon, I'll be telling my friends I knew him when .... :D

salsachinita
12-26-2003, 03:54 AM
:notworth: :notworth: :notworth:

Boriken-----

Just when I thought your words couldn't get any closer to my soul, you went ahead and got even closer :o !

Waiting to read that book of yours......... 8)

*hey, ever thought of writing salsa lyrics....? :wink:

borikensalsero
12-27-2003, 01:08 PM
Thank you, thank you, thank you. I must come with a new express my thankfulness to you guys. :D

I've never really thought about writting salsa lyrics. This is the one thing in salsa, besides playing instruments, that I think I could never be good at. :oops:

borikensalsero
01-23-2004, 03:59 PM
A fiend?

Two nights have passed, I feel an ulcer coming, stomach hurts, head-aches, a foul mood covers every corner of my world. Stomach feels so empty, but it has been fed not long ago, a cold feeling takes over it. The more time passes the colder the stomach becomes. The more it hurts, the more it wants to belch.

Now, I have total headache, the soothing events of life no longer mean soothing but memories of more aches and pains to come. An energy less body carries itself around as no sign of satisfaction has ever been present. My hands shake, my finger tips hurt, the blood rushing through them only hurts them more, the beating of a hardly beating heart fails to bring them life and only makes them feel like a balloon about to explode with each rush of incoming air. I can’t even type, my boss is worried, I don’t seem the same, I have not slept the past couple of nights. I have in fact cried myself to sleep and woken up to red, puffy-closed eyes, and have yet to feel the need for the presence of a beating heart, if my world is still the same tonight.

Feet follow the feel of the hands, now knees hurt so much I can barely walk, so what, I seem not to need them anyway! The once uplifting faced of a gleaming body is still present in the essence of ruins of the empire it once ruled. The feeling of being a prisoner of my own world cause hope to disappear with each passing second. I need to cry again, I do but this time the tears hitting my hands over the keyboard are red, very red, at least to my mind, at least so they seem to my soul. My soul starts to finally see the light at the tunnel fading away with each step, the flat tires, empty gas tank, and leaking engine of my body, takes.

Dried lips can no longer force the opening of my majestic word’s gates. People look, they are all willing, but none able to help the ache of a broken heart, and a disillusioned soul. Tonight I laid down to rest…

As so it seems that my world will end, if I can no longer satisfy the Holy Grail of 2 nights of Mambo-less dancing. Crapola, if 2 nights seem so, I can’t imagine not ever being able to not hold my other half in a world where percussion heats my soul, horns sooth a body, and a maze of twist and turns form the path to the gates of Mambo heaven.

Vince A
01-23-2004, 04:13 PM
WOW . . . I read it twice . . . and you doubt yourself at times?

I don't think so . . . wonderful flowing words!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

borikensalsero
01-23-2004, 04:20 PM
WOW . . . I read it twice . . . and you doubt yourself at times?

I don't think so . . . wonderful flowing words!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

Once in a while I do....

Thank you so much Vince :D :D Thank you!

Vince A
01-23-2004, 04:28 PM
You're welcome . . .

You are truly a "gifted" writer . . . are you doing something with that talent? Besides letting us enjoy your talents . . .

borikensalsero
01-23-2004, 04:35 PM
You're welcome . . .

You are truly a "gifted" writer . . . are you doing something with that talent? Besides letting us enjoy your talents . . .

Thank you Vince, Well, I'm an "idiot". I am compiling my work to hopefully get a salsa lifestyle book published. I have a number of stories and thoughts gathered. however, I say an idiot because I'm supposed to keep all the new writings from everyone’s sight, but I become so ecstatic that I want to share it with everyone, so I keep posting them for everyone to enjoy them as much as I enjoy writing them. Seeing you guys enjoy them is payment enough for me. :D :D :D :D :D :bouncy:

Vince A
01-23-2004, 04:48 PM
You're welcome . . .

You are truly a "gifted" writer . . . are you doing something with that talent? Besides letting us enjoy your talents . . .

Thank you Vince, Well, I'm an "idiot". I am compiling my work to hopefully get a salsa lifestyle book published. I have a number of stories and thoughts gathered. however, I say an idiot because I'm supposed to keep all the new writings from everyone’s sight, but I become so ecstatic that I want to share it with everyone, so I keep posting them for everyone to enjoy them as much as I enjoy writing them. Seeing you guys enjoy them is payment enough for me. :D :D :D :D :D :bouncy:
Although we love reading your work, be careful if you are planning to publish your work . . . you know, the things that you've written here are not copyrighted, correct? Anyone can use what you've written. Even attaching your avatar and "name" will not make it legal!

Let us know when you are published . . . I know most of us will read what you've written.

borikensalsero
01-23-2004, 05:11 PM
You're welcome . . .

You are truly a "gifted" writer . . . are you doing something with that talent? Besides letting us enjoy your talents . . .

Thank you Vince, Well, I'm an "idiot". I am compiling my work to hopefully get a salsa lifestyle book published. I have a number of stories and thoughts gathered. however, I say an idiot because I'm supposed to keep all the new writings from everyone’s sight, but I become so ecstatic that I want to share it with everyone, so I keep posting them for everyone to enjoy them as much as I enjoy writing them. Seeing you guys enjoy them is payment enough for me. :D :D :D :D :D :bouncy:
Although we love reading your work, be careful if you are planning to publish your work . . . you know, the things that you've written here are not copyrighted, correct? Anyone can use what you've written. Even attaching your avatar and "name" will not make it legal!

Let us know when you are published . . . I know most of us will read what you've written.

Nope, most of the new stuff I've written isn't copyrighted, very little of it is. :doh: I'm foolish when it comes to this things...

Vince A
01-23-2004, 05:40 PM
I'd say that you're excited, not foolish, my friend!

vey
01-23-2004, 06:19 PM
Boriken, I'm speachless....

You're SO passionate (not to metion gifted) that, by contrast, I feel like a mere enthusiastic puppy... :)

P.S. Regarding copyrighting: though there are obvious advantages of official registration of your work but by creating/writing you inherently own the copyrights. Checkout copyright.gov

borikensalsero
01-23-2004, 06:56 PM
Boriken, I'm speachless....

You're SO passionate (not to metion gifted) that, by contrast, I feel like a mere enthusiastic puppy... :)

P.S. Regarding copyrighting: though there are obvious advantages of official registration of your work but by creating/writing you inherently own the copyrights. Checkout copyright.gov

:oops: :oops: :D

Thank you Vey, I will surely check the link out. Thank you...

borikensalsero
06-22-2004, 11:38 AM
A Moment of happiness

The hustle and bustle off the big city sits behind in history as life’s cycle closes to sunset. A weak smile in memory of all that has become the faηade of this wrinkled, but at the absence of no beauty, face. The birds chirp, the Pitirre heading the group bringing back memories of only a black and white photo can portray. A youthfulness feel to my soul only comparable to the innocence of a newborn’s smile.

I walk, machete at hand, knees “sucias en barro”, saco cargando chinas, and an old book seen through an old guallavera’s pocket. The very same one I once read, when thoughts of happiness was the means America tried to give, thoughts that lead a search for happiness that lead to an abyss of search with no answer.

The sun is setting, I, with the same calmness I used to stroke my Lady Love to sleep at night, walk down the hill. Every so often a car driving by, I want not a ride, I’ll walk. The sand once warmth is as distant as the stars in the sky at this time of the day. Feet sinking in, molding to the figure-full shapes of the sand. I am here, I am there! A long curved palm tree with as many sunsets seen as I. Calmly talking to the breeze as the wind passes by its ramas. The ocean, tickling the sand in an infinity only love can know. The cool breeze, with hints of warmth as it tries to keep to sun from setting, yet again.

A deep breath inhales the soul of mother nature, along with the smell of Doρa Toρas cooking, in el fogon next to the aground-years-ago ship wreck. A sight of beauty all on its own. You can still the see the tropic fish swimming to the remains of this old ship. There is silence today, the silence that brings nature and I to a unison where all is I and I all. I delve into my book, trying to read words that no longer mean, but the entrapment of a soul. I’ve left behind all the material possessions I was told meant happiness, for what I am today. Truly happy!

The cool sand covering half my feet, the birds keeping an ever-changing world; constant, the sea breeze caressing a body that once needed the caress of another to feel worth while. The laugher of the sand caused by the tickle of the sea upon its shore, awaking an ever-youthful soul. The hustle and bustle no longer present, lends me the presence of a world that was once sold for home relief, but today I fight to let it free.

The world of Doρa Toρa, the Pitirre singing, the gaviota searching for fish, the coqui singing us to sleep, the bomba and plena fighting just like I once fought to stay alive, salsa searching for its own right, a world where the mountain is Jibaro absent, taino absent, and African absent, but with a soul that contains them all. A soul that so lies underneath a palm tree awaiting for the sun to set…

A life well lead, a love well lived, a joy never ceased, a happiness only here I can find, a world of fogon, bull drawn wagons, caρa fields absent but never the less the essence of what I am today. To live, to love, to laugh, to be happy with thy self, I am here for here is where this boricua was born.

squirrel
06-22-2004, 11:52 AM
beautiful...

borikensalsero
08-27-2004, 10:41 AM
It's two am, I'm drenched in sweat, like wise are you... Your blond mid-back length hair strands stick to your face as we, together spin. The populace, tonight, found in this establishment reminiscent to rose petals overcrowding the sepals, while you and I, in our mind, form the stigma.

The song plays, our bodies ooze with each other, for each other, your bodies contour molding itself to mine as if its topographic description was embodied in mine. The glue to our unison is a, lost in the loving beats of percussion, profound stare into each others soul.

The sparkles of your eyes announcing the throning of Mambo’s empire first and last queen. Moving as one we no longer do, for our union during this dance has become everyone and everything, the chills of energy traveling in and out of our bodies are felt by us, but seen by many. You have relinquished all human needs to me, I escort us through a world of Mambo you have sought but have never found, until tonight…

The feeling of two cotton balls caressing each other is but a close reminder of what it feels like to hold each other. The song half way from its zenith finds us glued to one another, as if tonight was the last time the love of Mambo would ever join us.

We embrace, we hold cheek to cheek, you hold my head and face with your free hand, while I, like wise do to you… We circle in a slow spin filled world of mambo as if the sobbing of a world knew it was about to end, the tightening of our bodies feeling the inevitable, we are about to part. Air rushes between you and I and creates a physical separation, a separation we fight to hold forever with the profoundness of two souls embracing each other. The slow dip takes its form, I hold you for as long as I can, bringing you back up even slower, four eyes glued together as if they were meant to always, Mamboly, be together.

The song ends, a deep hug, a kiss on the cheek, a squeeze of each other’s hands, and a stare until the multitude creates a separating wall between a Mambo’s world only two Mambo lovers can have, we know we are never to see each other again…

So, it goes the dance I had last night. Form a beautiful young lady who felt loved Mambo as much as I. The beauty of the beauty of two souls journeying together. For that dear lady, who ever you are, I thank you, for last night I never had the chance, and today know I never will.

God, did I mention I had a one most wonderful dance last night. Many they were, but one rose above the others, and its description is what I, just now, shared.

peachexploration
08-27-2004, 11:10 AM
Just beautiful, Boriken... :cheers:

borikensalsero
08-27-2004, 12:30 PM
Just beautiful, Boriken... :cheers:


Peach, I can't even tell you how much I've been thinking about that one dance, all the feelings get replayed in my body over and over and over... It is an exhuberant feeling I wish it never parts... :D