pygmalion
06-30-2004, 01:11 PM
I found a really fascinating (and LONG LOL) post on tango-L. A gentleman wrote in and said that, as a new, immature tango dancer, he chose certain music. But later, as he grew in his ability to feel and dance rhythmically, his taste in music changed. Hmm. Let me see if I can cut out a short but pertinent excerpt.
In my experience, I found years ago that I was drawn to the more dramatic and lyrical tango music. I loved to dance to the music of "Cabarute", or the Hugo Diaz (bandoneonist) trio and of course the haunting and beautiful harmonica of Hugo Diaz (the harmonica player). In those days I would just hate it when they played those "old and scratchy" songs of the Golden Era of tango. I really found it much more pleasurable to dance to my preferred alternatives.
The reason was simple in my case, I just had not learned to dance tango in a rhythmic way. I did not know how to interpret D'Arienzo's"el flete" or D'Agostino's "palais de glace" or Rodriguez's "el encopao". It's extremely difficult to dance to those songs if you don't know how. It was much easier for me to do the things that I had been taught to the more forgiving (and equally beautiful) songs of the modern orchestras or even to some Pugliese.
What do you think of this idea? Does the tango music one enjoys really mature as one learns to tango?
In my experience, I found years ago that I was drawn to the more dramatic and lyrical tango music. I loved to dance to the music of "Cabarute", or the Hugo Diaz (bandoneonist) trio and of course the haunting and beautiful harmonica of Hugo Diaz (the harmonica player). In those days I would just hate it when they played those "old and scratchy" songs of the Golden Era of tango. I really found it much more pleasurable to dance to my preferred alternatives.
The reason was simple in my case, I just had not learned to dance tango in a rhythmic way. I did not know how to interpret D'Arienzo's"el flete" or D'Agostino's "palais de glace" or Rodriguez's "el encopao". It's extremely difficult to dance to those songs if you don't know how. It was much easier for me to do the things that I had been taught to the more forgiving (and equally beautiful) songs of the modern orchestras or even to some Pugliese.
What do you think of this idea? Does the tango music one enjoys really mature as one learns to tango?