DevilsBSD said:
I tried the wall thing, but it's hard to dance with a wall. :lol:
Of course, it's just an simple exercise for someone who has no partner standing by to get an understanding of what tension is.
The point is that tension should be a relaxed and you should not lock your arm, and it should be no more pressure/streng than necessary.
DevilsBSD said:
The swing club, by the way, died after one meeting.
:cry:
DevilsBSD said:
and hip-hop isn't really a partner dance thing,
Actually, a lot of Hip Hop has a nice steady beat to it. And these songs, in suitable tempos, are just great for at least some kinds of swing, like the Lindy Hop.
DevilsBSD said:
But leading is all about pressure, right?
We like to use words like connection, tension and frame. (See page three on the subject 'What makes a good swing dancer' for my personal take on it)
DevilsBSD said:
So how would my partner know to step back or let go when i push, or whatever?
That's a tough one for me. Basically you and your partner should meet each others tension levels. That means, when you increase the tension, she should do the same. But when you (smoothly, not jerking) pull her forward she should follow your lead, and not just stand on the spot pulling the other way. So there's a balance her.
For example a normal lead would be for you to lead her forward by pulling her towards you. In this example you start in an open position, she is facinf you, your left arm is held forward and her right hand is in your hand. Both your arms are relaxed, but you have a certain degree of connection/tension so that she is able to feel what your doing. When you pull, you move both your body and your arm away from her. Did I mention it should be smooth? Since the follower has tension in her arm, both her arm and her body starts coming forward. As the girl starts moving forward you move slightly to the left to give her room to pass you by. At the same you lift the connected arms. This will give her room to walk/dance underneath your arms. As she passes you by, you rotate with her, 180 degrees to your right. When she has passed you by, you lower the arms again. Now this will basically make her move into her arms. But if she has connection and frame, she stops her self from collapsing into her arm, instead she allows her body to make a 180 degree turn to the left, ending up facing you as you were before this simple pattern started (but both turned 180 degrees).
DevilsBSD said:
and does the leader determine the step and when it changes too?
Yes, and no. It's up to the girl to determine her step. But from your lead, and from knowing the basics of following, her steps will come naturally from your lead. 8)
The pattern described above can be danced in both six count (back-step, tripple-step, tripple-step) or eight count (back-step, tripple-step, walk-walk, tripple-step) variations. It comes basically from how quickly the leader leads the woman, and how well she follows. But changing between six count and eight count basics are not for the absolute beginner, I think.
Actually, an experienced couple can dance the simple pattern above in quite a lot of different variations, by varying when the arm is lifted and lowered, the amount of tension given, by prolonging the pattern further than eight counts, by adding twists and turns etc. etc. But don't worry about that, it's not relevant at the moment. :headwall:
Basic change of place and under-arm turns like the one described above can be done in several different directions. And you can lead it with both your left and your right hand. And you can have a lot of fun dancing based on that alone. :banana:
Yeah, and btw: Don't be too caught up in tehcnique. Play around, flirt, smile, laugh and have fun. That's the main goal, and the real key to a successfull night!
