Comfortable Close Embrace?

..to change from close embrace (the shown one) to deep embrace, the usual normal tango hold (abrazo profundo, in his words).
Oh, oh - you've used a new term: deep embrace. I didn't find that in Wikipedia. Do you have pre-authorized permission from the definitions committee?
And what are you trying to say with this?
17.gif
 
I thought about starting a new thread, but then I decided put it here.

I had a strange experience at a milonga last night. One thing I usually try to do at a milonga, is to dance with someone I've never danced with before. I found someone that I had never seen before, and asked her to dance. I'm a close embrace dancer, and thus we embraced in what was for me, a typical close embrace. I'd say that around 10 seconds into the dance, she changed the embrace to a very open one. OK, I'm thinking, she doesn't like my embrace. After mulling over my disappointment for 20 seconds or so, I got over it and decided to just try to make the best of it.

After the first song, she asked if she could give me some feedback, and I said sure, (even though what I was thinking was, "I'd really like to just end this right now"). She said stuff about how to position my hands, and such. Our styles/preferences were clearly different, and I knew that, but I'd never "Thank You"ed a women before, and for whatever reason, I didn't want to end my streak. So I decided to, grin and bare it, as they say.

After the second song (where she tried repositioning my left hand a couple times, pulling it out more), she then told be about how I just need to invite her (basically, my lead was too strong for her). OK, that's her preference, and plus I don't normally do open embrace, so maybe I'm leading stronger than I think I am.

During the third song, I'm barely touching her, and it basically became like I was dancing by myself, and she would follow along at her own pace if she felt like it. As I was thoroughly bored, I was thinking about stuff like, what do I need her for to do this, and I'm glad I didn't encounter too many followers like this early on, or I never would have stayed with tango.

After this song, (as we waited for the final song of the tanda), she then said, "Now see, that was very nice, I hope you enjoyed that as well". While I was trying to keep from laughing, I replied, "No, I just think our styles are incompatible". Possibly, she might have been taken aback by my reply, but she then said, "It's not about styles, the man should never have to support the woman's balance". (None of these quotes are exact, but that was the general theme).

As the 4th song started, I replied, "It's not about balance, it's about enjoying the embrace". To which she replied, "I don't think any woman would enjoy that". I said to her, "Thank You", and left her there as I went back to my table.


I know that I still have a lot to learn, and I can accept that my style is not for everyone. However, I'm still enjoying the journey, and had some great tandas last night, (even if I also had a bad tanda, and ended my streak of never "Thank You"ing anyone, last night).

Oh well, life goes on.

shrug_n2.gif
 
I can't tell you how many times something very similar to this has happened to me. This mostly because I don't have a regular partner, although I do have women I enjoy dancing with, and who seem to enjoy dancing with me. And that involves dancing what ever style they enyoy, and/or we find compatible. And I'm almost always willing to try the wallflower newbie at a practica (but NOT after a great tanda near the end of my stay)

I DREAD that seemingly innocent question about "giving feedback." At least I know enough to parry and riposte, if I care to. I sort of liked it when I was in Buenos Aires and couldn't understand what my partners were saying at times. (But still want to know how I should be doing milonga differently!)

Am currently resisting diatribe against "helpful" feedback, most especially at a milonga.

If you feel no pain over this incident, it may be because of my empathic ability regarding this topic.
 
Took some time to look at the vid and am only part way through, but...

Clearly some of what they are presenting is not what is taught by others, and what I have learned or prefer.

Gee, it's AT, what else is new?

Good "special effects. "
 
Ooh, sorry about your experience, Dchester. That sucks. Especially since it seems I would about kill for more men who could dance really well in close embrace, especially with shared weight (or at least a very strong connection), with a comfortable embrace. Difference in style is one thing, but that just doesn't excuse her rudeness. Not to mention, she's giving those of use who do also enjoy open embrace a bad name. :-(
 
After the first song, she asked if she could give me some feedback, and I said sure, (even though what I was thinking was, "I'd really like to just end this right now").

Sorry for the bad experience. I'd say, though, that you missed an opportunity here. You could have showed great interest and said "sure, awesome" with a wide smile and an inviting gesture to escort her off the pista to talk these things through. Once off the pista, you listen to her remarks, ask her about her dancing background, and in general make her chat, until the second-third song is already over. By making her talk a lot you can then smoothly get out the obligation to continue dancing with her; thank you then hurts much less.

As a side remark I almost never "thank you" anyone (although what you describe haven't happened with me in the past years either). In general I think it's my responsibility to "check out" the new dancers before deciding to invite them, and in case I don't do that it's my fault if I end up with an undesired dance, so why be rude. I also don't invite new people without giving them a chance to see me dancing; I consistently dance very close, and I want people to be aware of this so that they can make up their mind before receiving my cabeceo. Of course I immediately conform to other's comfort level, so in the very rare occasion I get the indication I dance semi-open or open through the tanda and put a nice face to it. However in such case, since I went through the pain of making sure we both (could) have made an informed and unforced decision before our dance, I'd feel justified to not invite her again for a long while.

I guess (although you left this detail out) she was a beginner, and if that's the case I don't think she should be shunned. Who knows, maybe she got very nice dances from leaders who could make the close embrace lead comfortable and clear to her, and she might just wanted to be helpful by giving you feedback on how to become more similar to them. I'd give the benefit of the doubt that no-one yet explained to her that the milonga is a place different than a class or a practica, and that people are there to enjoy the night without being reminded of how much more they could improve, as all of us could. Newbies can't be expected to know this beforehand. That being said I'd probably "give her more time" (a couple of months maybe) to make sure that she had the chance to learn more about the customs and to reconsider whether she would want to dance with me the way I can roll.
 
To which she replied, "I don't think any woman would enjoy that".

Sorry, I missed this part, this was definitely rude irrespective of whether she really thinks that. I don't think I'd even acknowledge her presence at the milongas after receiving such a remark.
 
Ooh, sorry about your experience, Dchester. That sucks. Especially since it seems I would about kill for more men who could dance really well in close embrace, especially with shared weight (or at least a very strong connection), with a comfortable embrace. Difference in style is one thing, but that just doesn't excuse her rudeness. Not to mention, she's giving those of use who do also enjoy open embrace a bad name. :-(


Yep. The chick was rude. Really rude. "Thank you for the dances; I don't want any more," seems like an appropriate response, to me.
 
had a strange experience....

Hi dchester GREAT REPORT !! I recognized myself when I was in such kind of situations. And I was very often.

But the difference is: These situations happen with my own girlfriend. She uses to dance this way - that way, with and without support, with and without lean, with face contact, without, and so on!

You wrote "I'm a close embrace dancer.." That is the problem/the fact! Concerning these experiences with my girl, I found that she does not stick only to one way of dancing. The mood, the time, the background, the music, the circumstances, envy, the female cycle,.. everything got so much influence on the way she wants to dance with me.

Another thing.

I know the woman quite well, you´ve been talking of. Be honest: she was rather young, wore harems-trousers, and recently had taken lessons at the DNI in BsAs for the first time.

Right 8-)
 
And what are you trying to say with this?
17.gif
That if you use unfamiliar terminology, a few words to describe what you mean may be necessary, at least if you want others to be able to understand.

Is 'close embrace' the embrace of that video, and is deep embrace a parallel embrace (without 'V' and with the leader's arm much further on the follower's back, possibly with some lean)?
 

Dance Ads

Advertise on Dance Forums Reach dancers, teachers, studios, event organizers, and dance-friendly brands. View ad options
Back
Top