Can Anybody Point Me Towards Vids Of?...

Tangobro: Thanks for that! Much as I admire the total juxtaposition between the music's energy and his complete stillness, I think I'd probably spontaneously-combust if I tried to contain that much music-power.

I'd have to express the bam-bam-bam-bam bam-bam-bam-bam etc a bit more forcefully to feel true to the music: (again struggling with Tango terminology) something like hammering the floor in a quadruple-time corrida carried out in a super-tight double giro (as DChester suggested), with an explosive step out if there's space... well, at least double-time....

Probably have to change the direction of rotation part way through so the follower (assuming a random one) doesn't get dizzy.

By the way, yep, the capitalised 'Performance' was meant to mean 'Performance/Stage etc', rather than 'a performance' - I meant to mention that before to Newbie. [For what it's worth, I have no problem with Stage Tango - on a stage; it just isn't anything that I can practically use.]

Newbie: Yes, I'm in two minds about this... obviously this is tip-toeing on eggshells country but: the visual artist in me appreciates that different styles are tools to be selected from as most appropriate; the martial artist in me appreciates 'completeness' in an art-form.

The places that I would usually go to for guidance in such Tango matters all seem to have as their answer: 'Oh, we don't dance to Pugliese', which to me is... less than satisfactory....

It seems that the tool isn't lacking, but the will is.... I have the will (and like Pugliese).
 
Re: "A Evaristo Carriego" original by Eduardo Rovira


Sorry, just found out, that the link to the Rovira vid was incomplete. This one will work.

http://www.youtube.com/watch?v=CEIJOOAW_Jk
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And finally the TodoTango article on Rovira (1925 - 1980), worth reading to get an impression of this great pathfinder of Nuevo music.

http://www.todotango.com/english/creadores/erovira.asp
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w.r.
 
EDIT: Re: incomplete link: Yep: I didn't like to seem ungrateful by mentioning it (and I'd seen it before).

EDIT: Will now check out the article, thanks.
 
I bow to your superior knowledge on all things Bam.

if you want to understand Puglieses you have to know your Bam from your Yumba
( pronouned Tzumba, I believe, with a soft 'j' sound)

Robert Farris Thompson; Tango: The Art History of Love has some interesting things to say about Pugliese's music- thoughy one might need a glossary of musical terms.
 

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