Achieving Dynamic Balance

Getting into the emotion gives the mind something to do, so it gets out of the way of the body!

Yes, that fits, Waltzie. In my practice yesterday -- not doing figures but just moving my body and challenging its ability to remain anchored over the standing leg, and fluidly so -- I was amazed several times by how my thinking about doing something ("trying" to do it") would get in the way of doing it. But when I would just *feel* it... there I would be, doing it!

The word "sensation" or "feeling" might be a better word for me to describe what I want to say, rather than "emotion".

When I watch my instructor dance, I can see him feeling every movement, as if he were tasting something delicious. Very sense-oriented, and that is something very much in the body -- but maybe linking the emotions to the body? That must be what is happening.

Whatever it is, I am "getting" it in a new way, and it is really making a difference for me!

Samina
 
I've found that balance really comes when you learn to engage your entire body and move everything from your center. Learning to control is so important. Like you've all been saying, it's much easier when you don't overthink everything and you prioritize feeling, muscle memory, and being guided by partnering dynamics and the music. As far as extra exercise- do things that work your core and strengthen/learn how to better use your feet and ankles.
 
I've found that balance really comes when you learn to engage your entire body and move everything from your center. Learning to control is so important. Like you've all been saying, it's much easier when you don't overthink everything and you prioritize feeling, muscle memory, and being guided by partnering dynamics and the music. As far as extra exercise- do things that work your core and strengthen/learn how to better use your feet and ankles.

Thanks, DSG!

I started practicing without my heels on, which forces me to keep my heels up and to be much more controlled. I can feel so much more grounding energy come up through my body.

All this balance work is taking me from "trying to dance" to "dancing", and it feels so great!

:)

Samina
 
pilates!

as someone who had no dance training, i found the whole concept of 'center' hilariously obtuse. i didn't have trouble with it as a martial artist - i was a natural fighter and never had to look for my center or my strength - but dancing... dancing was different.

when i started with pilates i had some concrete muscles to hang my balance on, and i worked the crap out of them, and slowly but surely, it changed my dancing.

i believed in it so much i decided to become a pilates instructor, and this weekend i took my certification exam!
 
pilates!

as someone who had no dance training, i found the whole concept of 'center' hilariously obtuse. i didn't have trouble with it as a martial artist - i was a natural fighter and never had to look for my center or my strength - but dancing... dancing was different.

when i started with pilates i had some concrete muscles to hang my balance on, and i worked the crap out of them, and slowly but surely, it changed my dancing.

i believed in it so much i decided to become a pilates instructor, and this weekend i took my certification exam!

That's awesome! I want to eventually get certification for yoga and pilates- I'm pretty new to pilates, but have been doing yoga for years. Pilates is definitely the ultimate core strengthener.
 
pilates!

as someone who had no dance training, i found the whole concept of 'center' hilariously obtuse. i didn't have trouble with it as a martial artist - i was a natural fighter and never had to look for my center or my strength - but dancing... dancing was different.

when i started with pilates i had some concrete muscles to hang my balance on, and i worked the crap out of them, and slowly but surely, it changed my dancing.

i believed in it so much i decided to become a pilates instructor, and this weekend i took my certification exam!
Wow! I am impressed with the pilates instructors I know - I hang out in the back of the class and struggle.
 
One thing that I had to do to improve my balance was to deliberately challenge it. About a year ago, I became aware that I was unconsciously flinching from certain types of movement. It's a body reflex, perhaps with a bit of a phobia attached. I wasn't completing a lot of my movements, because my unconscious was trying to stay in a "safe" zone balance-wise. The problem was, though, that it was actually making my balance worse, because it was preventing me from being able to move strongly from one stable position to the next. For instance, in a rumba box, instead of getting all the way onto my forward foot on a forward step, I'd get about 75% of the way there, then start sliding my balance sideways towards the next step. The result was that the only truly stable position I had anywhere in a rumba box was after the second Q when I brought my feet together.

This was really inhibiting me in silver waltz. Once I took my first step, the whole thing felt like one long roller-coaster ride. I didn't really consider it because, well, I just didn't know any better; I just assume that that's what it was supposed to feel like. I've written here before that I have a problem with using brute strength to overcome bad technique, and that's how I was doing my waltz; through just continuously fighting it, I was able to execute, but it was exhausting and not a lot of fun.

So I thought back to something in my childhood. When I was around 12 years old (and about 100 lbs. lighter :rolleyes: ), one of the things I did with some of my friends was practice pratfalls. I used to be able roll down an entire flight of concrete stairs and come up uninjured, more or less, at the bottom. At one apartment complex where we lived, there was a steep grass slope where the driveway snaked around to go up a hill. We'd get up to the top of that and do movie-stuntman staged fights. The loser had to go down the hill, making it as dramatic as possible, of course. And it was a good drop, about 25 feet. Our mothers used to just about kill us for the grass stains. ;)

So I started practicing in where, to get past these protective reflexes, I deliberately threw myself at some moves as hard as possible and actually made myself fall a few times. For instance, I'd do a waltz open left turn, and on the back steps I'd move so strongly and abruptly that I'd be teetering on the edges of my heels. Before I did these moves, I'd think about how I was going to fall if I lost my balance, and how to turn it into a pratfall: soften the knees, protect the head, don't stick your hands out. And I did fall, more than once, but I was able to do it so that I didn't get hurt. And by doing this I was able to find where the edges of the envelope are, so to speak. The only way to ever find out for sure how far you can push anything is to push it past the breaking point, and then note where it breaks. After doing it a few times, and proving to myself that I could without being hurt, I was able to start overcoming the flinch reflex.

The main benefit of this is that I can now transfer my weight from one position to the next with a lot more strength and confidence. Also, because the flinch reflex tends to oppose movement in general, a lot of my steps are a lot crisper now. For instance, I have time to think about and work on Cuban motion in the Latin dances, whereas it was too fast for me before because the reflex was slowing all of my movements down. Similarly, my rise and fall has improved in waltz because I'm not coasting through my steps anymore.
 
So I started practicing in where, to get past these protective reflexes, I deliberately threw myself at some moves as hard as possible and actually made myself fall a few times.

Well said, cornutt!! I see so many people who dance only what is comfortable and safe NOW; they never push themselves. Thus they never find their legs, so to speak. I've fallen a few times myself like this. After a bit, I found my balance. But it helped me bring a certain freedom and eventual casualness to the large and dramatic movement. Rather than small and/or teetery-tottery steps. It's stability but not because I'm always in a safe zone--I'm always swinging myself from one point of balance over the leg to the next. Kind of like Tarzan :)

That being said, it's not desirable for it to be some sort of crazy injury-inducing activity. There's a point where it could be too much... though most people are well on the safe side of the line. Live dangerously people!

It helps not to be afraid of falling in the first place. A lot of people have mental blocks about this. I have experiences like yours where I learned to fall and got over that mental block.
 
cornutt and DeltaVim... yes! I know exactly what you're talking about. I got so fed up with my frustrated lack of progress from being so conservative with my movements lest I knock myself off balance that I'm having a blast, now, challenging myself in just that way... and I'm making real progress.

I've been going into my rumba walks with SO much more energy, now, and stopping and starting things quickly, and pivoting with so much more sharpness.

In waltz, I'm going to the edge more to complete my movements. Still so far to go...

...but I'm so glad I began to challenge that edge and not "hedge the wobble", so-to-speak. LOL

Who cares if we come up with a few grass stains along the way?? :)

Sami
 

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