All Corona related issues

The more experience you have in performance/competition-like situations, the better. You not only learn to keep going no matter what, you learn to make it look good while you're doing it. As in, don't make that "teacher, am I doing it right?" face. Or the "darn, I just messed up" face.
The video gives you a chance to see how the non-dance things really show up. Like fidgeting, pulling at your dress, all facial expressions, or lack thereof, and talking with your lips closed (yes, it shows).
That’s a big thing I’m seeing in my dance videos: I react way too visibly. During last night’s heats, I can be seen shrugging, shaking my head, nodding my head, hunching my shoulders, waving an arm upwards in a “whaddaya want?” gesture, creasing my brow as I watch Pro, and closing my eyes in a grimace. There are several times you can tell we’re having a conversation, despite the masks. Sometimes it doesn’t matter much, but sometimes it’s exasperating and I start lecturing myself: “for Pete’s sake, if you didn’t make that face, it wouldn’t be so obvious that you’d just messed up!”

I’ve gotten much better at keeping dancing after a flub (and at forgiving myself), but now I need to improve my stage presence (or whatever it’s called).
 
Local studio is putting on 3 “Friday Fun Nights” in December (1 smooth, 1 rhythm, 1 nightclub), like they did in September. Full comp costuming recommended; elaborately decorated studio; Studio Mgr reprising his role as MC. <snip> In September, I did only the smooth & rhythm nights, because I’ve never learned any nightclub dance but salsa <snip>
I told Pro I want to participate in the nightclub dance event this time <snip> we’re gonna do 3 heats of hustle, 3 of nightclub two-step, and 2 of salsa.
Nightclub night was last night. It ended up being almost exactly like a social dance with a Christmas theme; the only difference was a formal heat list specifying when you danced and with which pro (no social partner swapping). My impressions, in no particular order:
  • I've never seen so many casual red dresses in one room (I wore one too)
  • hustle is one of the most fun, energetic dances I’ve learned so far, and is surprisingly easy to follow
  • after working on mambo for several months, ballroom salsa feels weirdly simple
  • sitting directly under one of the loudspeakers was truly stupid of me
  • applying hand sanitizer before and after each heat really dries out your hands - and it stings like heck if you happen to have a paper cut on your thumb
  • masks at a Christmas party don’t look out of place, the way they sometimes do at other events
  • I don’t like wearing my hair down for dancing (give me a low bun any day, or even just a ponytail, or at least a barrette to keep the front sections off my face)
Dancing with Substitute Pro is not as enjoyable as dancing with Pro. It’s just not. Pro has FUN when he dances. Because students were allowed to sign up for heats with other teachers, I was able to watch Pro dance with lots of different people, and it was obvious that he genuinely enjoys it. Every heat is a performance (and he’s a ham), and he wants to bring his partner along with him and make sure she has fun. What a treat!**

Substitute Pro, otoh, spent the night doing his job. He does have a couple of advanced students he obviously enjoys dancing with (one in particular who is very talented, and who also happens to be beautiful and supermodel-skinny, but I’m sure that has nothing to do with his enjoyment); but with his bronze and/or much older students, he comes across as politely tolerant. I would describe his lead style as “impatient.” He seems to be trying to have fun, and off the dance floor he makes an effort to be charming, but that’s the point: he has to make an effort. I don’t get the feeling that he loves what he does.

In addition to Pro, there’s one other teacher at the studio who always appears to be having a great time, both at performance events and during lessons. He’s energetic and makes his students laugh and adds fun embellishments to his own dancing. He’s the only one there with whom I’ve never yet had a lesson, and I want to try a lesson with him to see if I get the same vibe up close.

Anyway, my conclusion is that I’m glad I went. Along the lines of what @j_alexandra said, I have learned that I only regret the things I do NOT do. And especially in these current times, as one never knows when one will have another opportunity to dance, I’m not inclined to pass up any opportunity.


**The smooth “fun night” in September is the only exception I’ve experienced to this, and in hindsight, I think my negative reaction to that night was (a) disproportionate, and (b) a result of it being the first time I’d ever danced at any public event. I mean, he said the things he said, and used the tone of voice I described, but it was also his first time dancing with me at any public event, so neither of us knew beforehand what our expectations were. The more we perform together, the more comfortable it gets.
 
Nightclub night was last night. It ended up being almost exactly like a social dance with a Christmas theme; the only difference was a formal heat list specifying when you danced and with which pro (no social partner swapping). My impressions, in no particular order:
  • I've never seen so many casual red dresses in one room (I wore one too)
  • hustle is one of the most fun, energetic dances I’ve learned so far, and is surprisingly easy to follow
  • after working on mambo for several months, ballroom salsa feels weirdly simple
  • sitting directly under one of the loudspeakers was truly stupid of me
  • applying hand sanitizer before and after each heat really dries out your hands - and it stings like heck if you happen to have a paper cut on your thumb
  • masks at a Christmas party don’t look out of place, the way they sometimes do at other events
  • I don’t like wearing my hair down for dancing (give me a low bun any day, or even just a ponytail, or at least a barrette to keep the front sections off my face)
Dancing with Substitute Pro is not as enjoyable as dancing with Pro. It’s just not. Pro has FUN when he dances. Because students were allowed to sign up for heats with other teachers, I was able to watch Pro dance with lots of different people, and it was obvious that he genuinely enjoys it. Every heat is a performance (and he’s a ham), and he wants to bring his partner along with him and make sure she has fun. What a treat!**

Substitute Pro, otoh, spent the night doing his job. He does have a couple of advanced students he obviously enjoys dancing with (one in particular who is very talented, and who also happens to be beautiful and supermodel-skinny, but I’m sure that has nothing to do with his enjoyment); but with his bronze and/or much older students, he comes across as politely tolerant. I would describe his lead style as “impatient.” He seems to be trying to have fun, and off the dance floor he makes an effort to be charming, but that’s the point: he has to make an effort. I don’t get the feeling that he loves what he does.

In addition to Pro, there’s one other teacher at the studio who always appears to be having a great time, both at performance events and during lessons. He’s energetic and makes his students laugh and adds fun embellishments to his own dancing. He’s the only one there with whom I’ve never yet had a lesson, and I want to try a lesson with him to see if I get the same vibe up close.

Anyway, my conclusion is that I’m glad I went. Along the lines of what @j_alexandra said, I have learned that I only regret the things I do NOT do. And especially in these current times, as one never knows when one will have another opportunity to dance, I’m not inclined to pass up any opportunity.


**The smooth “fun night” in September is the only exception I’ve experienced to this, and in hindsight, I think my negative reaction to that night was (a) disproportionate, and (b) a result of it being the first time I’d ever danced at any public event. I mean, he said the things he said, and used the tone of voice I described, but it was also his first time dancing with me at any public event, so neither of us knew beforehand what our expectations were. The more we perform together, the more comfortable it gets.
What does "exactly like a social dance" mean? (asking as someone who has been to at least 1,000 of them :))

The pro I competed with was a lot like Substitute Pro. I don't think it's that they don't enjoy dancing, just that the sort of effusive expression we are accustomed to here is not part of their background and how they are trained. Our country is a bit odd with all the smiling and positivity we expect over here. Having said that, I don't want to dismiss the impression of his attitude with that one student - that doesn't seem entirely surprising, I've had instructors confess to me that they like dancing with someone they can actually do stuff with and presumably not have to try so hard to take care of - I figure it's like parenting, younger kids are a lot of work.

Related story: he used to scold me to smile during samba, and I finally responded "you first". I finally told him that he looked like he was at a funeral, could he please look like maybe he might enjoy dancing with me even just a little. (I feel like I had to be his favorite student of all time, with the great feedback he was getting). To his credit, he did make an effort, but it was obvious - and the same is true of my current instructor - that this is just not an intrinsic part of their personalities, they are not natural smilers. They tend to come off as more stoic - which for comp pro was a great Standard look, just not as fitting for Latin.

Hair down... IKWYM. I've had short hair for years. I've worn wigs on occasion at theme costume parties and I'm always like, OMG, how do they do this, the hair is always in my eyes and sometimes my mouth. Gah!

Also I hear you on the loudspeaker thing (get it.. hear you.... ) - I've done that too, so much regret. I always went to the DWTS, SYTYCD, etc shows when they came to town, and in recent years the music is *so* loud. I keep forgetting my ear plugs.
 
I would suggest to at learning 9 new open routines (smooth and rhythm) by March is a little aggressive. If you like those dances, do them as single dances in addition to the multis. That’s what I did before I had full routines for all the dances in my style.
In my lessons, Pro frequently says things like, “of course, in a competition we won’t be able to do what we just did” and “when we compete, we’ll have to modify this move to do X instead.” I’ve discovered that many of the patterns he leads me through are not approved syllabus figures (not just not bronze, but not part of any syllabus).

Also, Pro does only lead/follow. We’ve discussed it several times. No pre-choreographed routines except for showcases. So it *seems* like competing in open bronze, at a comp where that is offered, would be more fun for him (he would get to dance all the non-syllabus stuff he clearly enjoys [like he’s able to do at the in-studio mini-matches, which are judged but not invigilated]), and better experience for me (I would have to follow him through anything he leads, which would include a lot more patterns).

The odd thing to me is that despite the above, he’s never mentioned competing in an open category. The expectation at my studio seems to be that a student should complete all levels of closed bronze before moving to silver, then complete all levels of closed silver before moving to open. But - until studying the St. Louis Star Ball entry forms yesterday, I never even knew that an “open bronze” category existed. Is it unusual for a comp to offer that? And SLSB doesn’t have only open full bronze - it also has open intermediate bronze!

From a business standpoint, it seems like a studio would encourage students to enter in both open and closed events, because mo’ events = mo’ money, right? Then again, it’s got to be hard for a pro to remember what moves are allowed in every heat (“ok, this is PNP in closed bronze rumba, I can lead this,” then “ok, now I’m with Other Student in closed silver rumba, so I can lead this,” then “now back to PNP but this heat is open bronze so I don’t have to worry about the syllabus,” and so on). But maybe I’m underestimating the pros. Maybe it’s not difficult for them to keep it all straight, especially after many years of teaching.

Anyway, I hope to discuss alllllll of this with Pro at my next lesson.
 
Is your studio a Franchise? Do you know if they emphasize franchise competitions ordinarily (during non-Covid years)? If yes/yes, that could affect his competition philosophy, his choice of steps and what they want you to do before you progress.

It reads like your studio mini-matches are effectively open since there is no invigilator. My pro used to work at Fred Astaire. He said invigilation was laxer at FA competitions than at NDCA competitions. FA comps are internal to FA, so they set their own rules. It's conceivable FA has some informal rules and it wouldn't be a problem since they could be communicated internally.

NDCA really does have to have formal rules since they want to attract all sorts of studios each of which teaches with its own syllabus. It may also be that pro like routines for NDCA precisely because the invigilators are stricter. It's harder to be certain you aren't throwing in an illegal move if you are winging it.
 
My internal comps have open bronzes but they are only generally danced by people who do 200+ heats. Basically they ran out of levels so they are doing closed syllabus choreos in open bronze.

Also there are usually no invigilation in those comps tho supposedly at a virtual comp someone was disqualified. A while ago supposedly a teacher took a student to an indie comp and they were disqualified so then occasionally it shocks them into invigilation. I’m definitely recording my choreos a month before we do an ndca comp and getting them checked out.
 
In my lessons, Pro frequently says things like, “of course, in a competition we won’t be able to do what we just did” and “when we compete, we’ll have to modify this move to do X instead.” I’ve discovered that many of the patterns he leads me through are not approved syllabus figures (not just not bronze, but not part of any syllabus).

Also, Pro does only lead/follow. We’ve discussed it several times. No pre-choreographed routines except for showcases. So it *seems* like competing in open bronze, at a comp where that is offered, would be more fun for him (he would get to dance all the non-syllabus stuff he clearly enjoys [like he’s able to do at the in-studio mini-matches, which are judged but not invigilated]), and better experience for me (I would have to follow him through anything he leads, which would include a lot more patterns).

The odd thing to me is that despite the above, he’s never mentioned competing in an open category. The expectation at my studio seems to be that a student should complete all levels of closed bronze before moving to silver, then complete all levels of closed silver before moving to open. But - until studying the St. Louis Star Ball entry forms yesterday, I never even knew that an “open bronze” category existed. Is it unusual for a comp to offer that? And SLSB doesn’t have only open full bronze - it also has open intermediate bronze!

From a business standpoint, it seems like a studio would encourage students to enter in both open and closed events, because mo’ events = mo’ money, right? Then again, it’s got to be hard for a pro to remember what moves are allowed in every heat (“ok, this is PNP in closed bronze rumba, I can lead this,” then “ok, now I’m with Other Student in closed silver rumba, so I can lead this,” then “now back to PNP but this heat is open bronze so I don’t have to worry about the syllabus,” and so on). But maybe I’m underestimating the pros. Maybe it’s not difficult for them to keep it all straight, especially after many years of teaching.

Anyway, I hope to discuss alllllll of this with Pro at my next lesson.
I'd just note that there's a big difference between an Open Bronze category and an Open category. It sounds like you are more than ready for the former if your studio permits it. For the latter - well, yes, good technique can beat fancier choreography, but good technique doesn't beat fancier choreography with even better technique.
 
Is your studio a Franchise? Do you know if they emphasize franchise competitions ordinarily (during non-Covid years)? If yes/yes, that could affect his competition philosophy, his choice of steps and what they want you to do before you progress.
It started as a FADS when it opened in 2004, but the owner bought out of the franchise several years ago. In many ways it operates as if it were still part of the franchise.
 
Personally I would be leary about competing via Zoom. There can be variable delays through different paths on the Internet, whether or not it would be enough that you could appear off-time to the judge is something that I'm not sure about. Perhaps that part has been thoroughly tested by the organizers.

The likely weak link in the connection is the studio WiFi. A local studio put up a showcase on Zoom and it was a disaster, with the video lagging the audio by up to 30 seconds. Even though it had been tested before the show. I suspect that the studio WiFi had enough bandwidth sucked up by someone's cell phone to make a difference. At minimum make sure your studio has taken steps to restrict WiFi connections to the absolute minimum needed to connect the dancer's video.
 
If we are doing predictions, the numbers will prob be bad thru feb and march it'll start to lower again. And then the numbers will be much better in the summer, and by then most of the vulnerable folks who wants vaccines should be able to get it. July-Oct will be optimistic months. Then like the flu, there may be a spike in the winter. Hopefully way smaller because there are multiple vaccines in production and by winter anyone who wants them should have had them.
 
Vaccine rollout has been very slow and messy. Of the 17 million doses distributed, only 4.8 million have been given so far.
Or to look at it another way, it takes only a couple weeks between starting the distribution process and actually vaccinating someone. That's actually incredibly quick. Even with 12.2 million doses in the supply chain, the supply of the vaccines are soon going to be limiting, not the distribution process, at least for the Moderna vaccine. I'd be interested in numbers comparing the Pfizer and Moderna vaccines to see whether the Pfizer vaccine is hitting issues because of the deep freeze requirements.

That said, while I'd be more than willing to take the kids to a local competition now, there are a lot fewer people in their classes, and I doubt people will come back to compete before a few months of classes or lessons. I think Tristate could safely be held in March, but at a guess it would attract maybe half the competitors; I don't know if that's enough to make it worthwhile to run. There's never much on the schedule for kids in the summer, so while that might be normal, we're not actually seeing an opportunity to compete until fall.
 
Because it was so large they split the floor, but it was still very nerve wracking to be dancing that close to so many people during covid. We wore our masks the entire time on and off the floor. 90% of people did not. They said on the website that temperature checks were going to happen, but I didnt see any.
Per PNP's posting, I'm one who will only go to a comp with mask required 100% of the time. The biggest excuse I hear is that it is hard to breath, but if one is in such poor shape that they can't dance with a mask on (and this includes pro's) then maybe they have other issues. I wonder if these same people avoid Colorado comps @ 5,000 feet since I find that more challenging then wearing a mask. Or how many ski at resorts which can be in the 7,000 - 10,000 foot range. <Sarcastic mode on>Do they need to carry oxygen with them?<Sarcastic mode off>

Having said this, California has come out with an combined age based / essential worker vaccine distribution plan (over 75 ; 65 - 75; 50 - 65) and I am starting to get an idea of where my place in line may be. My original hope was maybe doing a competition in the late summer or fall, but should I and my partner get access to a vaccine, I might consider a comp without 100% mask requirement earlier assuming comps continue to take precautions even during the vaccine roll-out. Nonetheless, I personally being vaccinated would probably still be wearing a mask out of respect for my coaches and others who may not have been vaccinated and at the same time feel safer from those who choose not to do so.

I plan to be (or currently am in) good enough shape to compete as I've been doing cardio with a mask to make sure of it.
 
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