Becoming a Competition DJ

dlliba10

Forum Master
I tried every search I could think of with "DJ" in it (can't search "DJ" alone since the term is too short) to no avail, but if anyone can find an old thread, mods, please merge!

What does one need logistically to become a DJ at collegiate competitions in particular? Obviously, a tempo-appropriate music collection with proper dance characteristics and intros of the appropriate length, a sound system, and networking skills, but is there more involved? Getting some kind of license? Affiliations with any particular organizations? Any and all advice would be appreciated!
 
I tried every search I could think of with "DJ" in it (can't search "DJ" alone since the term is too short)
I always have better luck searching with Google than when I use forum search tools.

Type the following into Google, and I think you may find some useful DJ-ing info:

Code:
"dj" site:dance-forums.com
 
in time you will need a license to play music. i think its ASCAP or something like that. they say if you play music for money you could be sued. however, i never got the license because we were a non profit organization and i never got another letter from them. also, depending what kind of music you will always get people who complain so just be aware, like the song says "you can please everyone" having a above average sound system may run your up in the thousands but it will make your music stand out above others. keep watch and tweeking your music to see the reaction of the dancers to see what kind of music to play. it helps if you have a well "worn" music list from there you can swap out what you feel is not going to work. anyway, good luck in your venture.:shy:
 
No, you do not need a license from ASCAP or BMI to be a DJ. Your venue needs to have an agreement with ASCAP or BMI.... not you.

Sidenote: USA Dance has been telling their membership not to use BMI music because USA Dance did not have an agreement with BMI. However, this has been costing USA Dance a lot of money for something unnecessary, and depriving their members of over half the available music. Most folks smile and ignore USA Dance in this, but the perception that individuals or organizations that do not directly own the space music is played in need 'license' remains. I think that is where this misperception started.
 
A friend of mine who DJs has gone through the process of learning how to properly work music for competitions. The things he's told me about are:

* Music licensing. In the U.S., you need all three of ASCAP, BMI, and SESAC. Sometimes the venue already has licenses (e.g., a studio), but if you are doing comps, you are going to be working in a lot of venues like hotels and civic centers which will not have licenses, so you will need your own.

* Appropriate music. You need to make sure you have music with the proper tempo ranges for the dances involved, and that means getting familiar with the NDCA and USA Dance standards for American style, and ISTD for International style. You need to edit off any non-strict-tempo beginnings; the music should come in with the proper beat and tempo right away. Ideally, you want enough music so that it is not necessary to repeat a selection during a session, although you can get away with a few repeats. Pay particular attention to your music selection for Paso Doble; you absolutely must have a version of España Cañí.

* Decent sound system. Goes without saying. In particular, an equalizer helps with achieving a good sound in different venues. My friend has also invested a lot of money into lighting, which isn't essential, but it can significantly enhance the mood versus the typically flat lighting at most comp venues. Whatever you get, you want to make sure that it is rugged and not too heavy, since you are going to be moving it a lot.

* You want a music system that will allow you to quickly find selections from different genres. I think most DJs typically build a playlist for each session, but it's fairly common to change the order of heats during sessions for various reasons, so you don't want to be stuck in a canned playlist. You also need to make sure that you can easily import dancer-supplied music for solos.

* If you are also going to be the MC for the comp, you want a decent mic and you need to work on your public speaking voice.

* Make sure you have an electrical outlet tester. You can get a simple type from one of the big-box stores that typically has two yellow lights and one red light. You plug it in and if the two yellow lights come on and the red one doesn't, the outlet is good. I've found in the past that a lot of public venues have improperly wired outlets. Be safe.
 
There is literally no such thing as a venue that does not have a music license. Sorry, every hotel with a ballroom has one since they have events in them daily or weekly. Same with civic centers. ASCAP and BMI and SESAC have hit them all - it's low hanging fruit to them. It'll be in their contracts...
 

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