Ask questions, meet dancers, and be part of the conversation.
Oh, that sort of thing. Yes, I can see the utility of something like that. But it's not exactly exclusive since other small groups of friends could also organize such a workshop.You're mixing up the roles of organizer and instructor. You can simply approach teachers and ask if they'd be interested in giving a workshop for you and your friends. The details can then be freely negotiated.
mainly to keep the level of skill consistent so they can actually teach the topic they want. It's for couples but if you don't have a partner they'll try to match you with someone if they think it's a good fit.Private workshops? Tell us more. I'm curious as to why an instructor would keep them private. And are they different than simple private sessions one pays for with an instructor (alone or with a partner)? It would seem counterproductive for an instructor not to publicize such a workshop.
From this perspective, everyone is free to organize their own encuentro.Oh, that sort of thing. Yes, I can see the utility of something like that. But it's not exactly exclusive since other small groups of friends could also organize such a workshop.
I was thinking more along the lines of a one-time workshop with four to six people.From this perspective, everyone is free to organize their own encuentro.
In practice, however, it's quite a lot of work to put together such a group of six couples and keep it together over a longer period. Sometimes a couple splits up, sometimes someone is out for an extended period due to injury, sometimes a partner wants to switch to double-role, and so on. Furthermore, there might be differing opinions about suitable teachers, content, and scheduling.
And let's not kid ourselves, a group is defined by its internal cohesion. Also at a milonga, I can't simply ignore group members.
Yeah that’s what i’m talking about, some teachers here host private workshops once a month or so with 5-8 couples, all at least lower advanced level (or potential to be it soon). And my rough guidelines for followers for that is: knowing how to use their back, are comfortable with followers sacadas, and I can decently feel the weight of their steps. If they can do those things their other fundamentals are usually pretty good too.I was thinking more along the lines of a one-time workshop with four to six people.
I agree except the numberFrom this perspective, everyone is free to organize their own encuentro.
In practice, however, it's quite a lot of work to put together such a group of six couples and keep it together over a longer period. Sometimes a couple splits up, sometimes someone is out for an extended period due to injury, sometimes a partner wants to switch to double-role, and so on. Furthermore, there might be differing opinions about suitable teachers, content, and scheduling.
And let's not kid ourselves, a group is defined by its internal cohesion. Also at a milonga, I can't simply ignore group members.
So let me break down the numbers.I agree except the number. You think 6 couples (or 12 people) small enough. I might think 10 or 15 couples (or 20 to 30) dancers make small enough private event.
Also restricting it only to “couples” can be your preference. But it could be 20 or 30 dancers without being couples among them. What I mean is couplehood is your preference but doesn’t have to be for forming a group that has similar internal cohesion and common preferences.
It took me a while to find out what a PYT is. Now there's another abbreviation: TYG. This stands for an encuentro in my hometown exclusively for an audience under thirty...So what exactly can you find in an encuentro that you can't find in a milonga?

Youth would be under 20.It took me a while to find out what a PYT is. Now there's another abbreviation: TYG. This stands for an encuentro in my hometown exclusively for an audience under thirty.
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Registration
Events for very young dancers must be strictly protected, otherwise "wannabe somehow young" dancers will inevitably take over. Similarly, an encuentro with very experienced dancers must be protected from those who are (in the eyes of the organizers) not, but would like to dance with such.
Events for very young dancers must be strictly protected, otherwise "wannabe somehow young" dancers will inevitably take over. Similarly, an encuentro with very experienced dancers must be protected from those who are (in the eyes of the organizers) not, but would like to dance with such.
"wannabe somehow young" dancers
This encuentro got canceled with an emotional post when registrations fell far short of expectations now. Encuentros need selection, they are defined by it; and organizers of encuentros are far better off being reserved and discreet.and in the other, I have to admit that I don't get along well with the organizer. But it doesn't really matter to me, tit for tat, I certainly won't be trying there again next time.