"Figures of Argentine Tango" page

What? You mean we don't all agree on a standard nomenclature?

Chaos will reign..next you know it, we'll all be dancing a different style!
 
I save a bookmark for all people who claim nuevo is always danced in open embrace and not musical (you'll have to add the YouTube header yourself, given I'm still a lower life form around these parts):

watch?v=_eq-VPlSIiY&feature=player_embedded

I'm not too fond of the most extreme abrazo breaking (but hey, it is a performance, so I have to cut them a lot of slack), but 90% of it can be danced small and in a closed embrace.
Here's the link, for those of you too lazy to put it together.

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[yt]_eq-VPlSIiY[/yt]

http://www.youtube.com/watch?v=_eq-VPlSIiY


I guess a bit of it was in close embrace (I think), but not very much. BTW, I think he stole that colgada ending from me.

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The embrace ranges from a very close "milonguero style" to an extremely open embrace, while for the most of the time it is "V" embrace with an angle from 0 to almost 180°.
 
I guess a bit of it was in close embrace (I think), but not very much.

Depends on what you mean. To me an embrace is a close embrace when the partners make contact at the chest. It doesn't have to be apilado and not even parallel all the time, the partners simply don't have to be separated. One reason for that is that if you define it otherwise, a good number of old milongueros who've been dancing in what they consider a close embrace for 50 years wouldn't be (including all those dancing in a variant of estilo del barrio). Sure, when a "V-embrace" no longer has an acute angle I'd tend to consider it open as well.

If you call a moderate "V-embrace" (typical for "Villa Urquiza" and other estilo del barrio styles) "open", then what do you call an embrace with partners only making contact at the arms? "Very open"? That's the syllabus silliness in reverse.
 
While I admire his musicality, I was always taught that it was impolite to kick people between the legs. :rolleyes:
I'm pretty sure I saw Tete doing sacadas (on the lady's side step, none of that fancy stuff on the trailing foot after a forward step) and even briefly kicking once (although, of course, not like Gustavo does here).

Are we going to define tango so strictly that the number of practitioners becomes the null set (except for the True Faithful, which would then exclude a fair number of real milongueros)?
 
Depends on what you mean. To me an embrace is a close embrace when the partners make contact at the chest. It doesn't have to be apilado and not even parallel all the time, the partners simply don't have to be separated. One reason for that is that if you define it otherwise, a good number of old milongueros who've been dancing in what they consider a close embrace for 50 years wouldn't be (including all those dancing in a variant of estilo del barrio). Sure, when a "V-embrace" no longer has an acute angle I'd tend to consider it open as well.

If you call a moderate "V-embrace" (typical for "Villa Urquiza" and other estilo del barrio styles) "open", then what do you call an embrace with partners only making contact at the arms? "Very open"? That's the syllabus silliness in reverse.
In your opinion, how much of that dance was their contact at the chest? My opinion is, it's certainly less than half, thus I would not call it a close embrace dance.

As for what I mean, if there is no chest contact, I don't consider it close embrace. Also, when the "V" opens up a lot (maybe greater than 120 degrees) their ceases to be chest contact, IMO.
 
In your opinion, how much of that dance was their contact at the chest? My opinion is, it's certainly less than half, thus I would not call it a close embrace dance.
I'd say 50%. I agree it's not merely a close embrace dance. I never said it was (it's not an open embrace dance either, it's a fluid embrace dance). I just said that it's a demonstration that people who say that nuevo dancers can't dance in close embrace and more importantly (which is what I quoted) are less musical are overgeneralising.

There are other examples of strict close embrace (even apilado) if you look for them. Chicho has these two sides of his personality, to give just one example.

As for what I mean, if there is no chest contact, I don't consider it close embrace. Also, when the "V" opens up a lot (maybe greater than 120 degrees) their ceases to be chest contact, IMO.
That agrees with my definition.
 
While I admire his musicality, I was always taught that it was impolite to kick people between the legs. :rolleyes:

Kicking between someone's legs (rather than kicking them between the legs!) was in all likelihood one of the things that was seen as naughty when tango first went to Europe. It's still a tangoie! thing.

I like the way he picks up the short pauses in the music. Reminds me of someone I know quite well.
 

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