All I'll say is that pretty much every follower picked this stuff up a lot quicker than I did.
(but then again, a lot of leaders did too.)
:headwall:
Nah... we just fake it better, since we already have experience at that.
Ask questions, meet dancers, and be part of the conversation.
All I'll say is that pretty much every follower picked this stuff up a lot quicker than I did.
(but then again, a lot of leaders did too.)
:headwall:
Interestingly, I just today wrote an article about that, using the same metaphor...Nah... we just fake it better, since we already have experience at that.![]()
Interestingly, I just today wrote an article about that, using the same metaphor...
Not that anyone asked me, but I thought I'd get some spirited debate going.Failure to Lead said:What's a girl to do, when she knows what the leader is trying to do, but he's not actually leading it - he's either leading it weakly, or leading it wrong?
Not that anyone asked me, but I thought I'd get some spirited debate going.
:twisted:
If the follower knows what he is trying to lead, didn't he (in some way) communicate the step, or lead it? Granted, it may not have been lead well. But if she understood it, shouldn't she just do the step, unless there is a safety issue (pain, collision, etc.), or something like that?

I'm surorised that no one has mentioned that BR/Latin, etc are mostly (unfortunately) pattern based, and, to some degree, a follow will know the pattern or usual move (ex: how many times have you been turned out from a basic, say cha, and not danced crossover?). AT simply isn't the same.I think that's probably because there is more consistency between leaders in ballroom.
You can communicate something without leading it.If the follower knows what he is trying to lead, didn't he (in some way) communicate the step, or lead it?
Followers, for how long and with what frequency did you take lessons before you felt reasonably comfortable dancing at a milonga? - able to follow a leader you had never danced with before and with your footwork fairly neat?
That's pretty amazing. Was she perhaps already an advanced follower in other forms of dance?My first partner needed two days. Then she stopped taking classes and just kept going to milongas, dancing with any leader ranging from nearly-advanced to pro.
Yes, that's the way I see it also.That depends on HOW she knows what he was trying to lead...
If you are social dancing and he struggles a little in general, that's one thing... sure... help him out. You can't exactly not follow ANYTHING because the leader hasn't perfected his overall leading ability. Consider the level he's at and cut him a little slack...
I agree again.But I think the situations where followers resent having to follow anyway are where the guy doesn't know he's struggling..
I assumed that was covered by the "even if I am being led steps I do not know" bit of the post.Originally Posted by New in NY
I find it easier to follow in ballroom/Latin (even if I am being led steps I do not know) than in AT, although I spend more time with AT.
I'm surorised that no one has mentioned that BR/Latin, etc are mostly (unfortunately) pattern based, and, to some degree, a follow will know the pattern or usual move (ex: how many times have you been turned out from a basic, say cha, and not danced crossover?). AT simply isn't the same.
I'm finding this factoid to be very true.:rocker:As far as I can tell most of the practise you get from AT is within the dance itself. So the sooner you are able to get get out there and dance the more you will learn.
That's scarey..:-? ...but honest.Nah... we just fake it better, since we already have experience at that.![]()
Originally Posted by New in NY
I find it easier to follow in ballroom/Latin (even if I am being led steps I do not know) than in AT, although I spend more time with AT.
I'm surorised that no one has mentioned that BR/Latin, etc are mostly (unfortunately) pattern based, and, to some degree, a follow will know the pattern or usual move (ex: how many times have you been turned out from a basic, say cha, and not danced crossover?). AT simply isn't the same.
Was she perhaps already an advanced follower in other forms of dance?