Just how many teachers out there still teach "hip" contact in standard dancing.
And how many weak social dancers not only listen to those teachers, but criticise people for having the correct contact points.
Just how many teachers out there still teach "hip" contact in standard dancing.
And how many weak social dancers not only listen to those teachers, but criticise people for having the correct contact points.
Once in a while I dance with a dancer who seems to be better trained than me who does the body contact thing as well with a very well defined frame and posture. If I maintain the body contact then I'm off balance and kind of flopping around. Usually I tell them I'm not capable of dancing with body contact. And they'll believe me when I attempt CBMWell, I cannot believe how many teach contact of any sort before they teach aligned posture, and standing on your own feet... Contact done right is contact that is in context of the rest of the dancing - but contact done by itself is wrong regardless of where the points of contact are.
Practically speaking, this means that you have more relaxed social dancers who are appropriately not dancing in contact, and then you have the intermediate social/competitive students who feel themselves superior because they are trying to use contact, and tend to be quite obsessive about how they do it. And then hopefully you have a few who have been with it long enough to have developed a sense of dancing that both puts each aspect into context, and has enough redundancy to temporarily absorb minor variations.
Just how many teachers out there still teach "hip" contact in standard dancing.
And how many weak social dancers not only listen to those teachers, but criticise people for having the correct contact points.
...WADR
m
Hey, I want that one for the abrv thread - but WTH* does it mean?
[*What The Heck]
I'm puzzling over the same questionHmmm...WADR
What's so wrong with HIP contact?
[really--I just want to understand the context of the opinion]
m