Is Ballroom dancing expensive? (Article)

But of course the question should be allowed why competitive dancing is that expensive. My answer: it fuels kind of an industry: organizers, hotels, continuing education, adjucators, tailors, professionals, composers... Its time to establish non-profit contests.
Well....everyone wants stuff they want to be less expensive. I do too. I think it's worth talking about that.

First, some of the cost you list have nothing to do with competition. Continuuing education is not a technically competition cost. Low cost competitions would no reduce the cost of lessons or tapes. People who save money on the competitions might just take the difference and spend it on lessons, books, disks, web subscriptions, clothes and so on. So low cost competitions aren't going to "solve" those costs.

So now on to the part that is related to the cost of actual competitive events. For non-profit contests to happen, a motivated person has to go out an mobilize a volunteer crew to organize an event. The crew will need to find a venue (high school gym? YMCA gym?) They'll need to find adjudicators to judge either for free or pay. (I'm guessing the vast majority of adjudicators will want some pay for the effort of hanging around all day applying rules.) They'll need to figure out how to handle the presumably small but necessary entry fees-- so someone needs to be treasurer of the club. They'll need to make sure they pay any licenses for music that's played at the event. They'll probably need to rent sound equipment and so on.

These (presumably unpaid) organizers will also need to decide on things like rules for dress, allowable school figures (DVIDA syllabus? Arthur Murry? Their own club syllabus? ) and so on. They need to create documents to explain their rules. Someone at the contest will need to enforce these rules. They will get both applause and criticism for any choices.

All of this will involve work by someone. Some is such boring work that you will definitely need to pay at least some of the people. (Janitor sweeping floors and clearing tables? Setting up tables for the adjudicators?) As there are obvious expenses to the organizer, there is a risk the organizer will be out of pocket money if the event doesn't get enough (low priced) entries.

I'd love it if there was an event on Saturday evenings every two months in a local high school gym near me. There are several nearby studios. Maybe it would attract competitors from a 30 mile radius. Maybe the nearly free competitions taking place in the local gym judged by unpaid adjudicators will attract people from all across the nation. Or maybe not!

I'm certainly not going to go to the effort to organize these Saturday evening events. (I hate organizing stuff in general.) I don't that that sort of thing for pay and I'm certainly not going to do it for free.

As for the idea that others should do it for free or very low cost to me: I charge people for my tutoring services (AP physics mostly). This is an expensive extra cost some parents think is worth it. Others don't. Lots of people probably think it would be "great" if tutoring was available for free for everyone. But if I do it for free, I can't pay for my dance lessons. So if I was forced to do it at low costs, I'd stop doing it and go get a different sort of job that pays more. (Coding? Sizing HVAC systems?) In that case, people who do want to pay for tutoring will find the supply diminished.

I'd be a bit hypocritical if I thought I should get paid but adjudicators, dance instructors, hotels, and so on are somehow supposed to do their work for free. If they can't earn a living by charging for various things associated with competitive dance, they will also need to find a different profession. Then we'll have fewer dance events. Even those will money will be unable to dance competitively.

So organizers need to find a source of funds to pay for these things. ( Maybe they could get the park district to pay? I really doubt it. The park district doesn't want to lose money either. )

I'm pretty sure all the above explains why the competition events that exist cost a fair amount of money. Even the lowest cost ones cost money. In my region (near chicago) there are fewer of the less expensive events than the more expensive events. (I'm going to Windy City Open tomorrow.)

The main people who are going to organize events like this are people who make a living teaching or competing in dance. They take on a risk of losing money if things go wrong but hope they can make more if things go right. So it's not fair to suggest they must do it in a "non profit" way.

Having said that, if someone does want to organize these things in a non-profit way, providing them at lost cost, that would be great. You or anyone here who would like these to exist could give it a go if you really want these to become a reality. I bet you'd find it so time consuming you'd no longer have time to take dance lessons and do your normal job! :)
 
Even if the competition is free, the pro has to be paid for the Pro-am dancer. To me, this is the one of the most expensive aspects of competitive dancing. It is well worth it to me, but still pricey. When I research competing Am-am, the price seems fairly reasonable.
 
Having said that, if someone does want to organize these things in a non-profit way, providing them at lost cost, that would be great.
Such events do exist in the Swing and Blues worlds, so it's certainly possible for someone to step up. The 12th annual Steel City Blues Festival that was held two weeks ago is an entirely volunteer-organized and -run event. Three nights of dancing until the wee hours (two with bands) and eight hours of multi-track instruction by top pros for $150, plus $5 contest entries. And out-of-towners could couch-surf with local dancers instead of paying for a hotel room.

On the Swing side, most larger cities throughout the world have an annual Lindy Exchange. Though these are focused entirely on social dancing (with maybe a for-fun contest or two), they are also pretty universally volunteer-organized. Pittsburgh had its 18th annual PittStop this past November, Washington DC will have its 18th annual DCLX at the end of April.
 
Such events do exist in the Swing and Blues worlds, so it's certainly possible for someone to step up.
Yes. Which means if someone is lamenting the lack of existence, they might want to consider stepping up. Or forming an organization and so on. It's fine to say "someone should do this". But who? I wouldn't want the people organizing the existing events to stop organizing them. The events that currently exist are fun and useful. I don't want them taken away.

I think the free events happen for the dances that attract lots of social dancers. If they attract large crowds, money can be made some way other than entry fees. Otherwise they are pretty rare. It's not going to happen for Paso Doble. People don't dance Paso Doble socially. It isn't even going to happen for Waltz currently. There aren't many venues to dance Waltz socially these days. I have to hunt around to find venue to dance Smooth on New Years, and I live near a major city!

Well rounded:
Even if the competition is free, the pro has to be paid for the Pro-am dancer. To me, this is the one of the most expensive aspects of competitive dancing
I agree with you that the most expensive aspect of pro-am competition is hiring the pro. It's especially true if you consider that generally, a pro is going to prefer dancing with those of his students who want to compete and pay him year round for lessons rather than picking up someone who is training elsewhere and just want a pro for an event. Perhaps I'm wrong, but I bet I'd have a very hard time hiring a good pro if I didn't take some fairly regular lessons with him. Heck, even if the lessons weren't "lessons", I'm guessing I would need to hire him to practice. That's how he makes a living!

Maybe if I were great, I could hire a pro to dance pro-am with me for the thrill of my spendid dancing that he could take credit for. But I'm not great. I'm pretty sure my pro would prefer to give the bronze- 60 year old broad slot to someone other woman who also wants to compete and who takes lessons from him!
 
Ballroom dance is not gonna be a casual hobby. People either love it and are addicted to it or they decide it's not for them. There are no dabblers. And the main reason for that it is expensive. So you've got to love it.

Is it worth it? That's more of a personal question. For me, I find the benefits worth it. It's life-transforming both mentally and physically. But that's just me. People get their fixes in different ways. Some people play sports. I do ballroom dance.
 
Ballroom dance is not gonna be a casual hobby. People either love it and are addicted to it or they decide it's not for them. There are no dabblers. And the main reason for that it is expensive. So you've got to love it.

Is it worth it? That's more of a personal question. For me, I find the benefits worth it. It's life-transforming both mentally and physically. But that's just me. People get their fixes in different ways. Some people play sports. I do ballroom dance.
I think it depends on what you are looking for.

I know three places in town that offer 2 hours of dancing and a one hour lesson for $9 to $12 per person. The sales pitches are more announcements of offerings than one on one conversations started by the staff.

Some people are happy taking the group lesson and being a beginner for years, improving little by little. It's not a bad social activity and good exercise.

I've got to admit it can be expensive. I'm thinking about spending $500 on Argentine Tango over the next six weeks in addition to my usual schedule of social dancing and ballroom private lessons. And I'm not even leaving town.
 
Some people are happy taking the group lesson and being a beginner for years, improving little by little..
Hi Greybeard, I don‘t argue against this. But I think it is possible to learn dancing at a higher pace without much money. We‘ve got YT, you can analyse the dancing at socials, make notes, compare, draw charts. And of course those who have a mouth to speak can ask dancers for advice and feed back. Learning by doing has no cause to shame. Right the opposite, by change it will qualify you to be a teacher later on. Some invite dancers to a little party at home. They pay with attention, lunch and cake, and they will be paid by steps, corrections, and advice. In summer I usually organize flash mobs. Everyone will afford a bottle of wine, a quiche, empanadas and baby powder. If you want to, dancing is for free.
 

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