Cat said:
Hi, guys.
I come from a very small salsa scene where we had no contact with live salsa music. Thus being the situation I have no idea about the instruments that are usually used by the band when playing salsa, and even though I read something about it, I cannot identify their sound in a song.
I use to read your posts here at DF and I have to admit, sometimes I have no idea what you are talking about.
My question is what can I do to get a better understanding of what salsa music means in terms of instruments and sound?
Thank you
Do you have a VCR or DVD player? You could buy a couple salsa concert videos, if you do.
There must be some sort of educational tool that could help you teach yourself this, but I don't know of any offhand.
Are there specific instruments that you are unsure about?
Big band salsa usually has a lot of horns, along the lines of a jazz big band. But it will usually not have a standard drum kit. Instead, you will typically have conga(s), timbales (and cowbell), and bongos. The timbales and cowbell give that hard kind of metalic sound you will here. The conga has a deeper, grounding sort of sound. To me, the bongo sound kind of bubbles up. It's not always obvious (to me anyway) how it fits in with the main rhythm, but it sounds right somehow. And of course, you might also have claves, which are wooden sticks.
Some salsa has more of a country/guajira sort of sound to it. No or fewer horns. You will have a tres or cuatro, which are basically forms of guitar.
Some salsa makes us of charanga orchestration, so you will have violin and flute together, but not much in the way of horns.
Almost all mainstream salsa today will be propduced by a big band, but there are people like Henry Fiol, for example, who work with a more rural small-scale sound. Or you can hear something similar in some of Cuco Valoy's songs like "Mariana Engracia" or "Pa' Gozar Contigo" (spelling from memory, so I might have a mistake or two in there).
The specific distribution of horns is one of the easiest way to recognize different people's styles. A lot of Willie Colon's work (at least from the 70's) emphasizes he trombone sound. In the late 60's, Eddie Palmieri mixed trombone and flute in a way that was adventurous at the time. (I can be fussy about either instrument, but I like what he did with them.) Almost any Willie Rosario song will include a very prominent baritone saxophone (although, lots of other people use that as well).