tangomaniac
Well-Known Member
HMMM. I've been to Buenos Aires and I didn't see the Argentines have problems interpreting music in tiny spaces. My teacher and I practiced dancing in tiny spaces. We danced in a corner with a chair indicating the space boundary. It took a lot of practice but eventually I was prepared for BA, tango festivals, and an encuentro.What to do in such situations was definitely not my point! My concern is that in the situations described, a leader hardly can adequately interpret the music! A tango isn't just a piece of music that you just dance to in any way. No, a piece has an internal structure, a tension arc, and conveys a story. This means that you can't do "rebotes, ocho cortados" at any point in the track without violating the music. Maybe your ears are so immune that you don't notice it. I'm certainly not, and that's why I'd rather sit than dance like a "deaf" person. (Sorry, I only know three deaf tangueros and they lead very musically. They get all the informations from the double bass.) Ultimately, I come to the conclusion that "listening to the music" tends to reduce the dancing skills of a sensitive and musical person.
I'm not deaf. I took 3 years of music theory and 3 years of piano lessons in high school. I resumed playing the piano two years ago.