Los codigos de milongas: Do not bump

The most safe style is when follower is sending her foot back with inside of the foot looking to the floor and both big toe and heel tip on the floor ALL the time, bigtoe is leading. When going up to the axis she just lifts the inside of the foot up, pivots the heel back. This sounds terrible/complicated but is OK when you try.

I was dreaming about to paste a picture but nope! If you are curious there is an old video - not so perfect but I think it is maybe easier to understand

Tango by Julio Balmaceda and Corina de la Rosa
( tangoafficionado )

Quite exactly at 1.00 Corina takes an extreeeeeemly long back step with this technique; she opens her right hip, extends the whole leg far down to the big toe and the heel is resting towards the floor. She starts to pivot early so when completed she is standing as usual and ready for next step.
 
I was dreaming about to paste a picture but nope! If you are curious there is an old video - not so perfect but I think it is maybe easier to understand

Tango by Julio Balmaceda and Corina de la Rosa
( tangoafficionado )

Quite exactly at 1.00 Corina takes an extreeeeeemly long back step with this technique; she opens her right hip, extends the whole leg far down to the big toe and the heel is resting towards the floor. She starts to pivot early so when completed she is standing as usual and ready for next step.

I definitely noticed that she kept her heels very close to the floor during the whole dance. I think this is important for us to keep in mind. I think it is a very important follower technique for avoiding high heel caused injury.

Thanks!
 
And just yesterday I saw women in high heels dancing on their toes.
Who teaches this, I wonder?

On the few times I've been a follower, I've danced on my toes in apilado. No one told me to. It just seemed... well, I didn't even think about it - I just did it.
 
I definitely noticed that she kept her heels very close to the floor during the whole dance. I think this is important for us to keep in mind. I think it is a very important follower technique for avoiding high heel caused injury.

Thanks!

To whoever it was that asked me what the female teacher taught me about using my heels, this is pretty much what she said.... having the heel, and bottom of foot, pointed down (not back) when reaching back - no stretching through the top of the foot a la ballet, especially if you aren't turned out. Aim for stretch through the back of the knee rather than the top of the foot to create a nice reaching and "extending" line.

Note: all instruction given in a private lesson should be to correct an individual's specific problems. Therefore, what is said may not apply globally. So things like "stretch in the the back of the knee" may not be useful or even applicable to everyone.

However, the general technique she was teaching to all followers (AFAIK) involved NOT dancing on the toes and NOT lifting the heels much off the floor when reaching, and consequently, no "plonk" and no pulling away from the leader when settling down on the heel. (also, not as much chance of stabbing someone.)

As someone who got "point your toes!" drilled into me (even as a skater, despite the fact, that you can't really point your toes in skates) I find that it takes effort and concentration to train myself out of it and not use every opportunity to stretch in the top of my foot. (what's really ironic about that is that even when my toes ARE pointed, I don't have those lovely high arched feet, so it doesn't actually look much different than when I don't point hard!)
 
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Tango by Julio Balmaceda and Corina de la Rosa
( tangoafficionado )

Quite exactly at 1.00 Corina takes an extreeeeeemly long back step with this technique; she opens her right hip, extends the whole leg far down to the big toe and the heel is resting towards the floor. She starts to pivot early so when completed she is standing as usual and ready for next step.

I watched to see if she used this technique when reaching back with her left leg too, and it seemed that she didn't, although I could have missed it. In the embrace they are in, it's fairly easy to do this on the right leg (I've done it myself on occasion in a "V") but rather awkward to do with the left. In a milonguero embrace, it would be somewhat awkward on both legs.

Also, I would expect that when led in a very long step such as you indicated (and there was another slightly before that one) the follower knows she will not be doing it as a Quick. The smidge of extra time to get this slight pivot of the foot/leg happening would be harder when doing steps on quicks.

Thanks for posting... interesting idea to ponder.
 

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