Ask questions, meet dancers, and be part of the conversation.
And of course, after a certain amount of time goes by, you have to allow for the possibility that someone may have improved. I certainly hope I have improved over time, and I hate it when someone who danced with me quite awhile back still refuses to dance with me only because when they first danced with me 5+ years ago, they weren't thrilled. So if I expect to be given another chance at a different point in my development, I have to give others that chance too.
Of course, if you've danced with someone repeatedly over several years, and they are still doing whatever obnoxious thing they were the first time, eventually it makes sense to give up on them!![]()
AwwwYaY!!! Zoopsia is back :banana:
A milonga is a dance place for adults. We aren't teenagers at a sock hop feeling rejected if the boy or girl we like doesn't invite us to dance. Adults make decisions about with whom they want to dance and don't have to explain them to anyone. That's why invitation by head movement instead of verbal invitation works so well and doesn't put anyone on the spot.
There are dozens of men in the milongas who haven't invited me to dance. That's fine. I don't lose any sleep worrying about it. I know there are others who try to invite me, but I look away. That's my decision to make.
If we want quality in tango and not quantity of tandas, it pays to be patient waiting for the right partner and the right music.
Zoopsia, nice to have you back! I have been missing your postings.
Uhm, would you actually describe most porteño men as adults? Tongue in cheek, many seem to me to be mentally stuck in puberty despite the age of their bodies, with all the advantages and disadvantages that derive from it ;-).Adults make decisions
We even have some leaders who refuse partners during the rotation in classes! Not because those women are likely to prove hazardous or rude, but just because they aren't deemed "good enough" by the leader, who apparently only wants to practice the move with a follower who can already do it, even though theoretically everyone is there to learn. This is especially galling when there are already more followers in the class, which happens frequently. I can accept that some couples don't rotate in a class (although I think they are making a mistake) but if someone IS rotating, they can't just refuse to dance with someone unless that person is rude or injurious. The leaders who do this, do so by simply walking away, sitting down or not returning to their place in the circle when they see they are about to match up to a follower they don't like. It is obvious to everyone that the follower has been abandoned and it is quite rude.
... The class instructor can do something to turn the situation around...
I know it is an assumption, but I cannot help but think, the abovementioned situation prone to happen more in classes that introduce patterns rather than technique. Otherwise the leader has actually lead the move, and it should make little difference whether the follower knows the move or not. It takes more skills, clarity etc, to lead less experienced follower (and vice versa). So people who are in the class for the skills, not for the moves, would appreciate practicing with partners of various levels.
This is just an idea I heard once, and has nothing to do with leaders passing partners in class.
If there are two or more ladies standing out in the rotation, having no partners, they should not stand next to each other, which sometimes happens. That will ensure that they stand out twice, or more, in a row before getting a partner. They should find places in between couples.
It seems obvious once you think about it.
there is plenty to explore and say positively about the richness of this style
The milonguero style is where I find the best dance, for my money, but my own teacher complained about the way I do it. I had to quit taking lessons from her because we disagreed about how I should dance..