In the "Sex at the Milongas" topic Pygmalion cited an article (http://www.susanamiller.com.ar/editorialing.htm ) a part of which I found particularly facinating (being rather ignorant about tango as I am) and quote it below.
I was wondering what do you guys think about this form of dance invitation.
Does anybody have experience with it?
Do you think it would work in salsa?:?: :?: :?:
The Double Face of the Nod
By Susana Miller
Nodding is not a matter of discussion for milonga veterans. Its advantages cover both sides of the coin: the man does not have to run the risk of being rejected when he approaches a woman's table to dance; and the woman will not have to feel compelled to dance if she doesn't want to, or if she is interested in someone else's invitation. This is a democratic mechanism. If he doesn't look at her, she won't dance. If she doesn't return his look, he won't dance either. The nod, like the dance, requires two people.
The nod appears spontaneously at the milonga. It is a code that makes communication easier, given that the milongas are very crowded and there is not enough room for people to be walking constantly across the floor in every direction extending invitations to dance.
Besides, nodding is customary. Customs impart color to a community, and man finds his place in the world through such customs.
A milonguero nods calmly, trying his luck with his gaze at the other tables. But for newcomers to the milonga or foreigners, the nodding code doesn't mean much. One cannot expect visitors to practice local customs as if they had been dancing in the milonga for years! Instead, newcomers often start dancing by making friends and acquaintances at the milonga, which in no way affects those who traditionally practice the nodding code. As soon as newcomers feel more self-confident, they will start using it. Those who nod to dance are aware that it only means the desire to dance. The nod only applies to a 10-minute dancing period (a set of dances). Emotionally, it is very difficult to spot someone looking at you and then hold their gaze; people learn to dance much faster than they learn to connect with a look.
There is no social, cultural or economic discrimination at the milonga, but the privileged do exist: those who really dance. They reign on the dance floor. They can easily fish for a partner at any table, and there's no doubt they will succeed.
The rest of the people may ask their partners the way they wish or the way they can. But if the milongueros don't find the right partner nearby, they can always walk around the floor almost distractedly and nod at a distance. They know that nodding is their tool. Nothing impedes a milonguero from breaking his anonymity with a look.
With the charm of an old sepia photograph of a Porteño, that look conveys his respect for the woman, his sauciness and his typical approach to a partner.
I was wondering what do you guys think about this form of dance invitation.
Does anybody have experience with it?
Do you think it would work in salsa?:?: :?: :?: