Not sure what to do next

I am surprised. My impression of you was an introvert :) No wonder you are ENTP, though I too think all these pyschometrics are pseudo science. But they do capture a language to describe behavior and traits in people.
Well, I was surprised, too. For the longest time, I thought I was too reserved and cerebral and a bunch of other things* to possibly be an extravert. Then I was in therapy and figured some stuff out.

Essentially, in a social setting where I know even one or two people, I will take over conversations and try to convince everyone to stay later. When I finally leave, I'm hyper-charged and cannot sleep for an hour or two. And when I'm forced to stay home for more than two days, I get depressed and have no energy . . . which is instantly cured by going out for the evening.

* One thing that made me doubt my extraversion was that I dislike being a social organizer. I hate setting the time and place, making the calls, inviting people, etc. I like my role to be simply showing up. Since all of my organizer friends are hyper-extraverts who never go anywhere or do anything alone, and spend every quiet moment writing texts and taking calls, I assumed that not liking organizing was the same as being an introvert. Now I suspect it's more to do with the dislike of planning that makes me a good improviser.
 
though I too think all these pyschometrics are pseudo science. But they do capture a language to describe behavior and traits in people.

I don't think it is completely pseudoscience, but I believe extraversion-intraversion is a composite of several different personality traits (there are different breakdowns if you take different personality tests) and therefore I always scored somewhere in the middle. I am not sure it is very useful for analysing dancers because to some extent we are also roleplaying when we dance
 
I have observed several neurodivergent leaders who may not be that social and can give out weird vibe. That is only because they project awkwardness. They are definitely not creepy. Usually the “predators” that woman want to be cautious of are quite charming. That is why they succeed.

One milonguero in particular mostly only talks with women, will only dance with younger women (below 40), will on rare occasions talk with men. I seen him for last 12-13 years ever since he took first steps. He has never said hello to me. Most women I think like dancing with him. He is not creepy but I don’t know if he realized others notice. I was once visiting a milonga several continents away. Met someone who had visited our milonga and mentioned this dude. He made the same comments about him as I written above.

I know several dudes who are loners, won’t talk much to men, are good dancers and women want to dance with them. Some of them also became DJs.

So the question is what constitutes a “weird loner” :)

I remember a discussion long long time back with a salseras (there are more creepy dudes hitting on women in salsa). She and few others were complaining about creepy guys. She admitted if she likes a guy, he isn’t creepy though others might think he is. Where as if she didn’t like a guy, she would more likely label him as creepy though nothing in his actions was creepy.

Best not to mix weird and creepy. There isn’t a correlation except for wanna-be players who are still learning the ropes.
Yeah I mean thats why I didn't use the adjectives weird or creepy in my original post since that can be highly subjective, just that I'm wary of loners that rarely talk to other men.

I'm also aware of neurodivergent people / people on the spectrum, I mean that famous case with the beginner brazilian zouk dancer having an awful time at an advanced nyc milonga was due to a resident awkward neurodivergent dancer.
 
1. Improvement often comes with style drift. A person can be a better dancer in absolute, technical terms while also becoming a worse partner for specific people

It's common to improve one aspect at the expense of others and therefore become a worse dancer overall. Typical examples include creating lines with muscle tension, stepping on the beat but only being able to start the movement at one timing, dancing technically correctly but without any feeling, etc

A lot of "advanced" dancers that take a lot of lessons are really not good.
 
It's common to improve one aspect at the expense of others and therefore become a worse dancer overall.
This is true. However, it's also common to improve overall and become a less suitable partner for a specific person. A lot of bad technique on one side of the abrazo dovetails with bad technique on the other side, and once one partner starts to insist on good technique the other cannot match, that dance partnership falls apart. Unfortunately, this is why dance causes a lot of couples to have issues in their lives outside of dance.
 
Essentially, in a social setting where I know even one or two people, I will take over conversations and try to convince everyone to stay later. When I finally leave, I'm hyper-charged and cannot sleep for an hour or two.
This is the same with me. I enjoy meaningful interaction in small group and can be charged by that.

And when I'm forced to stay home for more than two days, I get depressed and have no energy . . . which is instantly cured by going out for the evening.
I do not get depressed but it is my habit to go out of home and socialize. Just that I don’t see tango as a means to socialize. Yes there is socialization but it revolves around dancing. It is hard to make likeminded social acquaintances at milongas because everyone is focused on dancing and getting danced. You might be having good conversation and someone will cut in - either to want a dance or join conversation and take it over (if it is an extrovert). Therefore I do not attempt to develop social relationships at milongas. Not that they may not happen by happenstance but that probability is low.
* One thing that made me doubt my extraversion was that I dislike being a social organizer. I hate setting the time and place, making the calls, inviting people, etc.

On the other hand I was very much center of organizing things for my large social circle. I did it for almost 20-25 years. I stopped doing it a while back.

I am definitely not an extrovert. Neither as a child nor as an adult.
 
I’m enjoying the discussion. I’m definitely an introvert. I need that alone time and often go weeks without texting friends. I’m not energised by socialising I’m drained by too much. My partner thinks he’s an introvert (he’s definitely not) because he enjoys solo things like reading and gaming and music. However, he likes to get out “and blow off some steam” after a week’s work. He is more shy than I am and doesn’t converse easily with strangers.

In terms of dancing we’re both total nerds. Tango doesn’t appeal to him [he’d be great at it and since he’s tall he’d be targeted by the new teacher (Ukrainian lady who is fantastic) and he’d get loads of special attention from the tall followers] but we both dance swing. I started before him and was dancing about three or four years before he began. Since then he’s had plenty of time to catch up. All the followers dance with him. He dances about four times as much as I do on any given night. He has great connection with all of them and he learns well in classes and workshops. But I am still the “better” dancer. Sometimes it’s just innate ability. Oh and he studied music and played in a brass band so his musicality and musical knowledge is far superior to mine.
 
On creeps vs weird. Predators groom their friends as much as they groom their victims. The creeps target younger women because they have less life-experience.

Weirdos can be creeps without the social awareness or they can just be weirdos. Loner men are always worth noting. There is no legitimate reason they should remain loners as either the other men or the (many) women will befriend them. There is no shortage of neurodivergent dancers and like attracts like!
 
I don't think that's any less valid, as we're talking about terms defined mostly empirically if not popularly, not clinically.
Sure, it's equally valid as an approach, but I'm disagreeing with one of your core assertions:
If extraverts dance with 10 times as many people as introverts in a year
In my experience, there is zero correlation between introverts/extroverts and how much dancing they do. I am absolutely an introvert and I tend to dance more than most people during a milonga. Logically, it could even be likely that introverts would do more dancing than extroverts, since the former have no interest in small talk and would rather be dancing!
 
Logically, it could even be likely that introverts would do more dancing than extroverts, since the former have no interest in small talk and would rather be dancing!
Tango offers a wellcome place for those personalities who don’t fit the popularity contests. The nerdy guy standing in the corner focusing on the dance or the quiet woman who stands alone at the watering hole, not to socialize or to be the queen of the ball, but because it might be the better vantage point for cabeceo. I definitely get more invites when I look like I’m there alone. I also look at the quiet guy in the corner. He might be a visitor who doesn’t know people, or someone who really is there just for the dance.

I don’t pay much attention to personality types because I think they really are context dependent and can change. Also, they might be self-fulfilling. If you put yourself in a category box, it’s maybe not as easy to change. As a parent, I’ve most definitely seen how a positive personality compliment can be self reinforcing. A kid sees him- or herself in a different light and has something to live up to. Or the opposite, they feel a particular negative personality trait is something too hard to overcome.
 
I definitely get more invites when I look like I’m there alone.
There are other reasons, beyond the uncertainty of cabeceo/mirada in a poor environment, and that's the social aspect of interrupting some couple or group. That might be a rare couple on a 'date night', or some group of friends chatting, or even checking the phone. It's also about taking the risk that people are there to dance, if invited. So, there tend to be invites within the social group. Of course, there's the occasional, old-fashioned, 'request', or acknowledgement, to me if requesting a dance with my wife (see also discussions re The Tango Lesson).

The 'watering hole' seems to gather a crowd at such milongas which facilitates invites.
 
Well that's because attempting to cabeceo people who are either talking or just sitting next to other dancers of the same role is unreliable
Talking with anybody, really! Conversations block invitations under many circumstances. Something I have noticed at our milongas (this is far from universal and likely also sexist, but it's my observation regardless, and my inner scientist reports even uncomfortable data):

• Groups of men are typically larger than 2, often converse leaning against the bar or wall, don't seem to feel a strong need to make eye contact, and usually scan the room while talking. One can suddenly invite with the cabeceo and simply walk away to dance without the others caring much.

• Groups of women are typically larger than 2, often converse leaning in toward each other, seem to feel the need to make eye contact, and so are not looking into the room while talking. This means no mirada, and so attempts to invite them with the cabeceo either fail completely or work only because one of the women looks up, notices an invitation, and starts the "Which of us is being invited?" conversation.

• Mixed groups are typically exactly 2 – 1 man, 1 woman – and whether in a couple or not, they converse in a bubble, making eye contact with each other and actively ignoring the room while talking. Neither can be invited by anybody but the person they're conversing with, which is usually exactly what happens.

To complete the set:

• Lone men tend to be scanning the room for potential partners. We rarely see this because women so vastly outnumber men that lone men are hunted down and dragged onto the floor.

• Lone women tend to be fiddling with their phone. In fact, vast numbers of women who've given me flak for not inviting them missed about 38 attempts from me while texting. Some have actually told me it's a show to avoid invitations they don't want, and that it's okay for me to come over and use words . . . which misses the point that less polite people will either do that first or see me doing it and do that next.

To double-underline what I implied at the start: These are my observations at the places where I dance in my city. They might not reflect reality at other places in my city, other cities in my country, other countries, other planets, etc.
There's this unwritten rule for couples: If you want to dance with me, your partner should also dance with my partner.
Wild! I've been in a couple of one kind or another since I started dancing, and I never really ran into this. Most of the coupled women I've invited, I've invited because their partners were already off dancing with somebody other than my partner . . .

My partner does wish it worked as you said! She complains that the partners of the women I dance with don't invite her, but that's a testament to women outnumbering men badly around here. She falls victim to the "Well, you showed up with a guy, so you don't need me to invite you like all these seat-ironing women do!" effect. Which is sort of true, because she dances more than most of the other women due to my presence.
There are other reasons, beyond the uncertainty of cabeceo/mirada in a poor environment, and that's the social aspect of interrupting some couple or group.
Particularly a couple. A couple generally converses in a bubble that actively excludes everybody else at the milonga.
That might be a rare couple on a 'date night', or some group of friends chatting, or even checking the phone.
That wording makes me smirk because it puts "checking the phone" last, after "even," as though it were a remote possibility. Whereas my experience some nights is that 90% of tangueras and 50% of tangueros have their phone out. I guess people here just have terrible phone etiquette. (My phone is switched off, hidden in a bag, the bag hidden under furniture . . . which appears to annoy people who dance with me and then want to "add me" on social media.)
So, there tend to be invites within the social group.
I find that the practical situation at most milongas is that specific social groups stake out specific groups of tables, bits of wall, ends of the bar, etc. and sort of mill around in their zone, mostly dancing among themselves. Not having a group and a zone severely reduces your invitational success rate, whether that means receiving invitations or having invitations accepted. A few tango tourists with whom I've become friends have commented negatively on this tendency here . . .
Of course, there's the occasional, old-fashioned, 'request', or acknowledgement, to me if requesting a dance with my wife (see also discussions re The Tango Lesson).
There are still people in my city who are old enough or conservative enough that they expect you to do this. Sometimes it's just an affectation for their tango identity, sometimes it reflects their real values. I play along mostly because despite my strong anti-conservative, at times anarchistic values, I'm not a fan of drama, and not playing along causes drama.
The 'watering hole' seems to gather a crowd at such milongas which facilitates invites.
Here, the bar tends to be staked out by a specific group. You can walk up to it to order, but you can't park there because all of the seats and most of the standing room are the zone of that group. This is a thing I know from both sides of the bar . . . working as a barman at milongas and festivals, I've often had a lot of issues with people trying to order around and despite the gang who use the bar as their table.
 
• Groups of men are typically larger than 2, often converse leaning against the bar or wall, don't seem to feel a strong need to make eye contact, and usually scan the room while talking. One can suddenly invite with the cabeceo and simply walk away to dance without the others caring much.
This is generally my approach, whether I'm alone or not, to scan from/close to the bar. However I often run into something like this:
• Lone women tend to be fiddling with their phone. In fact, vast numbers of women who've given me flak for not inviting them missed about 38 attempts from me while texting. Some have actually told me it's a show to avoid invitations they don't want, and that it's okay for me to come over and use words . . . which misses the point that less polite people will either do that first or see me doing it and do that next.
A lot of women just aren't even paying attention in general, but still insist on the cabeceo...so it invites people to walk up for point blank cabeceos (and then they get mad when people they don't want to dance with do this).
It sorta mirrors the talking point about women not wanting random men to approach/bother them in public, but also would be fine if their favorite celebrity crush did that to them etc.
Basically just reinforces the point that if you have enough status / they like you enough you can bypass whatever rules they initially say, which I have found true in general dating.
 

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