jantango
Well-Known Member
There are 2 aspects of 'preparation' for milongas -
1. Social codes
2. Skill
It seems to me that when practicas are structured like milongas, it will help with social codes, but will deter (esp beginners) from focussing on skills. When somoene sees a floor full of dancers focussed on dancing, affected social codes that are tending towards structure/formality (dress codes, cabaceo, high emphasis on floorcraft), they are likely to think that this is just another milonga, and will be less inclined to be the only person on the floor who makes mistakes, stops to figure stuff out, works on technique and potentially stands out.
To me the key question next is this - how do you structure a practica to look like a milonga, yet keep them from 'feeling' like they are in a milonga, and instead get them to feel and act like they are in a practica? If it looks like a duck, walks like a duck, quacks like a duck, it's surely not a chicken.
Why do you think people should feel and act differently at a practica? It's preparation for a milonga where they get to practice dance floor etiquette and learn the difference between a tango and a milonga, Troilo and Di Sarli, etc.
The one thing that will contribute more than anything else to the practica environment is feedback between partners. This is not appropriate at a milonga.
If you want to guarantee the practica won't be considered a milonga, let the men practice with one another and exclude women. Then you'll have a true BsAs practica.