scullystwin42
Forum Master
ugh having a bit of pre-comp disorder, which is irritating me. like, for real, unnecessary. stupid cha cha.
Ask questions, meet dancers, and be part of the conversation.
Hey, if you know CPR, go ahead and ask, heh heh heh.I want to go dance rhythm at Blackpool so badly but can't imagine the face DP would give me if I asked...![]()
Love this. A huge part of my comp stress used to come from the same thing. I now go in with one or two overall things to focus on and maybe - depending on how big/new the overall things are - one thing per dance as well. I used to ask pro for them, but now I generally just inform him of what my focus will be and ask if he agrees.
Then I write them down. And when I start to freak out after warming up in that period where I'm waiting to get started, I read them. And post-comp, I pull out the list and make pro read it again before I'll let him watch the video.
Our general rule is that if, for example, my declared main focus for the comp was musicality and expression (face, and use of upper body), then that one spot in the video where I missed a toe lead or my heel turn was less than perfect can not be heavily criticized because *halleluiah* there was an actual expression on my face and I was at max extension. The flubbed footwork can totally be noted as something that needs to be addressed going forward, but as it was not the declared goal for the comp, it gets a lighter treatment that it would had "precise footwork" been the goal.
It helps me focus and be in that calm place at comp. And it makes the horrible experience that video review used to be tolerable without alcohol, as it brings some focus and makes it more constructive (rather than a confidence and motivation destroying list of mistakes made).
It's all fun and games so long as no one loses an eye![]()