Tango late in life?

I don't like that wording at all, Miradamiranda. Or rather, I'm trying not to let it intimidate me. My own market value has gone to zero.
You'd be surprised. One of the ladies at the practicas ( who I'd say is about early 30s ) told me her safe space is dance partners who are above the age of around 60. They often won't try stuff that makes her back hurt for days afterwards. So there is still market value in you by just being older.
 
..stopped due to a severe medial issue.. collapsed on the dance floor..
That'll be the next thread: How to die in tango! Two dancers in my scene I knew well died on the dance floor. I was present when one of them died. And looking back, memorial milongas are quite common in my scene. We also attend the funerals of tango dancers. The second ever tango event of my life was a funeral. I've written here before about how I stumbled into a milonga by chance and became a tango dancer. The organizer and tango teacher present buried his wife, with whom he used to teach, the following weekend. She had died of cancer. Of course, I also went to that funeral 25 years ago.
 
I suppose such a thought only occurs to someone who already has a ruined back.
No, not at all. I see many examples among older tango dancers who are physiologically healthy, but nevertheless have atrocious technique on the dance floor. And they had that "problem" 25 years ago as well. They simply didn't work on posture and movement coordination. Conversely, dancers with a high degree of movement quality retire faster. Unfortunately steamrollers seem to be much more durable.
 
When I was young, I didn't see dancing as a high-risk sport.
"Young people get hurt when they fall out of trees. Old people when they get out of bed."
 
I suppose such a thought only occurs to someone who already has a ruined back.
Not at all. Dance is an area of recreational activity and, even when younger, you become aware of what may stop you earning your daily crust. You become aware of warming up before activities (and 'warming down'). You become aware of injuries from activities like soccer, hiking and skiing - especially when colleagues fall.

Dance is no different. Two professional dancers have made the point about a too restrictive abrazo in recent workshops. Even, sometimes, on basic adornos. One also pointing out privately the risk to their livlihood of dancing with some.

More recently another teacher stopped a dance with someone who attempted a volcada which hurt her back (try 'planking' whilst someone is trying to pull your back in because of their mistaken understanding of 'abrazo').

Later in life your aim is both to continue ageing, and to age well.
 
Conversely, dancers with a high degree of movement quality retire faster. Unfortunately steamrollers seem to be much more durable.

Overtraining causes injuries even with good technique, just ask the professional ballet dancers

We are not really doing movements anywhere near as strenuous in tango, but I should note that just because a movement looks good on the outside doesn't mean it was not performed in a way that causes excessive stress
 
Overtraining causes injuries even with good technique, just ask the professional ballet dancers

We are not really doing movements anywhere near as strenuous in tango, but I should note that just because a movement looks good on the outside doesn't mean it was not performed in a way that causes excessive stress
And, as a leader, it's necessary to be cautious with followers who may not have the technique or vocabulary. Useful to observe and develop as you move through the dances of the tanda.

Holding (hugging?) them too strongly for 'support', at the wrong times, or to 'lead', can be bad.
 
Two professional dancers have made the point about a too restrictive abrazo in recent workshops. Even, sometimes, on basic adornos. One also pointing out privately the risk to their livlihood of dancing with some.
Yes, please spread the gospel! I have large dissociation ability, but if someone expects me to lean forward in a tight embrace AND pivot, they hurt me. It does, however depend on how high up the leader’s arm around my back is.
 
Two professional dancers have made the point about a too restrictive abrazo in recent workshops. Even, sometimes, on basic adornos. One also pointing out privately the risk to their livlihood of dancing with some...
No, please don't spread such nonsense. If I'm dancing in a restrictive close hold and notice that a follower tries to twist her entire spine from C4 to L4, I immediately release the hold. Then I firmly grasp the follower firmly on both shoulders without any slack and say: dissociate only in the lumbar spine. Everything else hurts me! Dancing shouldn't be torture. And those two professional dancers don't seem to be professional at all (given, you have accurately summarized their comment).
 
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So
No, please don't spread such nonsense. If I'm dancing in a restrictive close hold and notice that a follower tries to twist her entire spine from C4 to L4, I immediately release the hold. Then I firmly grasp the follower firmly on both shoulders without any slack and say: dissociate only in the lumbar spine. Everything else hurts me! Dancing shouldn't be torture. And those two professional dancers don't seem to be professional at all (given, you have accurately summarized their comment).
Sorry, you're just plain wrong. And, if that's your perspective, maybe the cause of some injuries to some followers. Some leaders can make it torture for followers. You may adapt sufficiently; others don't.

Professional? Are you appearing in stage shows, or giving performances for your daily crust, or relying on teachin income?

And how come you're 'teaching' in a milonga?
 

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