All Corona related issues

I'm not a lawyer, but not sure if they can prevail for discrimination based on political views. I think they can prevail for certain protected statuses (race, religion etc.)
For what it's worth, Massachusetts prohibits employment discrimination for any reason not having to do with the candidate's ability to do the job, last I checked. I don't know what the rules are for serving customers, but I suspect they may differ from state to state.

For what it's worth, I think it's not fair for consumers to push their views onto business owners, their dance teachers, retail workers either.
I tend to agree, but I'm not sure Facebook posts count as pushing views on one's dance teacher, especially if they are not also a friend. I suppose that might depend on the specific circumstances.
 
Warren,
I"m in Illinois. Our list of protected features is long, but definitely limited to special classes.


NOLO chracterizes Mass. anti-discrimination than you say:

Do you have something that links to a statute that says "any reason not having to do with the candidate's ability to do the job"?
 
Well, apparently once again my perception was colored by my inexperience. A couple of my much more experienced ballroom dancer friends who saw that part of the video laughed. One even said, "great save, Pro!" So I guess what felt to me like "being unexpectedly and forcibly manipulated into a specific position in the middle of the floor during a heat" is actually called "partner dancing."

Yep, it’s called saving your a$$
 
That characterization may have been in a notice from an employer. A web search shows that there are at least half a dozen separate Massachusetts employment antidiscrimination laws, which is more than I want to read through, to be honest.
 
Re: Energy/Nerves/Pros Dancing “differently” at Comps/Showcases. Having competed as a Pro/Am Follow for a good number of years, I can say that I have seen instances (including myself) where the Student is actually the one who is dancing differently.

That was me in smooth at my comp in November. I knew it was me. I might have danced differently in Rhythm, but if I did, I couldn't tell.

I had a sudden rush and m_o_o_v_e_d in smooth. The problem was, I didn't really have the skill to move that much, so it didn't magically turn into anything wonderful. I pro actually did say "Whoa!" in surprise. (He was used to having to prod me in lessons. We'd do something.... we'd stop... he'd say "I'm not going to drag you around the floor. You need to move here...." )

Come to think of it, he still has to remind me to move sometimes pretty often. At a recent lesson he said he might need to start being stubborn and absolutely stand still if I don't move. . .

But I am improving various things. Now, at least when I do move, I can mostly control it.
 
Yes, we will be having that discussion at my lesson this week.
Transcript of the first 10 minutes of my lesson yesterday:

I was warming up in the small ballroom as usual. Pro came in & said, “hello, PNP! Let’s go to the other room.”
“Let’s talk for a couple minutes first.” He nodded. I crossed my arms and held eye contact. “Ok, so Friday night? You told me it was supposed to be fun.”
“What wasn’t fun?”
“You said no stress, no judges - ”
“Right...you felt stress?”
“Well, *I* wasn’t under stress, but apparently my dance partner was under stress.”
“Why...?”
I put my right hand on his left shoulder blade and extended his right arm with my left hand. “Because you led me with things like this,” I replied, squeezing his right hand and tightening my grip on his shoulder blade, then glared at him and started walking forward, pushing him back as I said, “THIS is the tempo...YOU follow ME...THIS is the tempo.”
He pulled out of my hold, leaning his torso back. “Arggghhhh!”
“Exactly. And then - ”
“ - but that foxtrot. I mean, come on. That was - ”
“ - and then you were like, ‘really? THIS is how you dance foxtrot?’ ”
He laughed uncomfortably. “No, that’s just...I was kidding.”
I made a disgusted noise. “No, you were NOT kidding.”
He cupped my face in his hands, saying, “yes, I was!” then dropped his hands and continued, “trust me. If I wasn’t kidding, I wouldn’t be there.”
“It didn’t seem like you were kidding. I was not having fun at ALL.”
“Really!?”
“Well, yeah!”
“But - ”
“Because it sure seemed like you were serious.”
“But - you just misunderstood me.”

I stepped backwards and looked away, stung by the cliché of the man telling the woman that her feelings aren’t valid because she misinterpreted what he said. Then with an unpleasant flashback to my first marriage, I stepped forward again, resuming eye contact.
“Well, I perceived it - ”
“ - so don’t - ”
Raising my voice and holding up my hands, I spoke over him, “I PERCEIVED it as not kidding.”
“Ah. Ok. No.”
“So Friday night was not fun for me.”
“I’m sorry.”
“I mean, I didn’t expect the dancing to be great. You had told me you were gonna throw some new moves at me, and I was fine with that - ”
“ - yeah, I wanted to, but then that foxtrot was like - ugh! And you were like - ” He held me in frame and imitated a Leader struggling with a Follower who isn’t moving. “So I was just trying to....”
“It was rough dancing, I know,” I agreed, nodding.
“Right. But just the foxtrot. Nothing else.”
“Weeelllll,” I replied skeptically, “there was the tango - ”
“Nah,” he said, flapping his hand.
“ - the new move, where you were PUTTING me into place - ” I put my arm around his waist and demonstrated.
“Oh! Yeah-yeah-yeah! Of course! Because look - when I tried - and you were - and I was like, hold on, ok, let me get her - because we - I couldn’t - ” He imitated what he had done Friday night, laughing a little.
I went on. “And then there was the Viennese waltz! The first time was good, because I managed to follow you - ”
“Right. I did a lot of tops in a row and you stayed right with me. That was really good.”
“ - but the second time we did Viennese waltz, you led that new move - ”
“ - ah, yes, sliding doors - ”
“ - where we sway to the right, in cuddle position, and I started to come in this way,” I demonstrated, “and you grabbed my arm like this - ” I imitated my ending position, where his arms acted as a straitjacket.
“Because, you see, I thought we were going to do that twice.”
“Well, clearly I didn’t remember that.”
“Exactly!”

He suddenly scooped me up in both arms and dipped me waaaay backwards over his left leg. [Aside: I think that must be a dance teacher’s way of relieving tension. Or maybe trying to change the subject.]
Despite being distracted by how amazingly cool it felt to be dipped like that, I managed to say, from my unexpectedly horizontal position, “so my POINT is - ”
He interrupted, swinging me back upright, “ - and that’s what I’m saying. So - ”
I spoke over him again, but quietly this time, resting my hands on his shoulders, looking at him intently. “My point is, it’s fine to throw new moves at me, and that was a perfect opportunity to do so - ”
“ - right. Exactly. To see how it - ”
I squeezed his shoulders. “But if you do, just don’t be glaring at me and saying sarcastic things like ‘really? THIS is how you do it?’ ”
He laughed uncomfortably again. “I mean, that was just a little....”
“I know! I was frustrated too.”
His hands cupped my face again, the dropped as he said defensively, “I wasn’t!”
“Yes you were.”
“No....”
“YES.”
“I mean, I was just a little...you know....”
“I get it. We just had a lesson the day before, you were probably thinking, ‘why can’t she do this?’ ”
“Right. Ok, a little bit. Not like ‘she should’ - more like, ‘why can’t - ’ Ehhh...” he trailed off. “I don’t know.”
“I have a theory.”
“Ok...?”
“This happens to me sometimes when I’m learning a new language. I have a really good ear. So I can pronounce things very, very well.”
“Yes. Right.”
“So people make the mistake of thinking I’m fluent, but - even though I can SPEAK really well - ”
“Ah...right!”
“So...I think maybe once in a while, I do something really well in dance.”
He laughed. “Yes, definitely.”
“And so you think I know it. You think I did it on purpose, and that I have control over my body. But in fact,” I shrugged, “I got lucky.”
He nodded. “I mean, I thought - I forget, you see? Because I’m focusing only on the good things. So I’m like, ‘ok - she got it - let’s bring that further up.’ Not like, ‘hold on, I think that was just an accident, forget it, she probably doesn’t know it.’ I don’t think like that.”
“No, of course not. But now that I’ve explained it to you - ”
“Right. No expectations.”
“Well, no - of course I want you to have expectations of me.”
“And I always will. Because I know what you are capable of.”

* * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * *
And then, because it felt like that discussion had gone reasonably well, and because I was still feeling calm (not angry, weepy, or whiny), I decided to go ahead and bring up the other issue that has been bothering me; i.e., his behavior wrt to our recent participation in my very first comp. But that part of our discussion belongs in a different thread. So - To Be Continued Elsewhere...
 
Ooo! Interesting! What else was on the list? Religion, sex, other bodily functions...?
When I was young, the adults always said not to discuss politics or religion at the dinner table. I always thought that was stupid, because those were the interesting topics of discussion to me.

Now I understand: the adults probably grew up in a time when politics was too divisive to have productive discussions, kind of like now.
 
Politics, religion, and money. My mother was born in a time when Nice People never, ever talked about sex. There was no reason for her to caution me about it.
Oh, right - money!!! Yes. I forgot about that one. Those were my mom’s top three also. And even with my own children, when they’d ask how much money I earn, my response was always along the lines of, “enough to provide for you everything you need, plus some extra things you just want.” (In other words: nunya biz.)
 
In the same conversation during which Pro & I discussed the studio’s Friday night “fun” event, I told him about my disappointment wrt the studio’s reaction to our recent comp participation.

I admitted that while the issue of Facebook posting feels kinda stupid & petty to me even to mention, it nonetheless did bother me that the studio completely ignored the entire comp. He said, “if you’re thinking about it, and it’s bothering you, then it’s not stupid.” [Major brownie points for that response, btw. Even more brownie points if he actually meant it.]

I told him, “the studio’s own student, dancing with the studio’s own pro, got really great results at this competition. They should be proud of that.”

“Of course! Trust me - every single person in this studio is proud of you.” [Small red flag here. This was the second time in our conversation that he said “trust me.” IME, when people say that, it means I should definitely NOT trust what is being said. However, I’ll give Pro the benefit of the doubt on this one. He’s not a car salesman, after all; nor opposing counsel.]

“Well, it doesn’t feel like that. If they’re proud, then they should have said so on Facebook, like they’ve done with every previous competition. You know my other studio, where I take virtual lessons? Even THEY posted about the comp and my results on THEIR Facebook page. I just think you guys should have, too.”

After a pause, I continued, “of course, I realize there’s a lot going on - the studio has bigger things to worry about these days.” I then went down the list of posible reasons I had discussed here on DF. Pro responded to all of them, after an initial disclaimer that he has nothing to do with the studio’s FB page and therefore cannot possibly KNOW the reasons.
Those other comps where other students danced were all live, traditional comps. They all took place in the pre-plague world, where the studio had certain procedures they routinely followed wrt social media. In the current world of virtual comps, the studio has no experience yet. They aren’t thinking along the same lines as before.
Pro thinks this is definitely the biggest factor. He said for many years, things have been done a certain way. Take something out of the predictable setup, and the procedures collapse. He said, “I mean, we even forgot to give you your robe!” [They have long black robes for students to wear over their costumes, with the words “Studio Name Competition Team” proudly displayed on the back, which they give to students at their first comp. Pro assures me that I will (eventually) get one.] They didn’t view or treat this comp as they usually would, but not because of ME - he was adamant that I should not take anything personally.
I assume the studio has much bigger things to worry about these days; i.e., cash flow.
He should have told me this is none of my business and steered away from the topic, but instead, he told me that is not an issue, so it couldn’t have been a reason for the studio’s FB silence.
I’m the one who instigated the studio’s participation in the HOA virtual comp. I approached them, not the other way around.
Pro agrees this likely had something to do with it, but only in the context of “not part of the standard procedures we always follow.”
I pushed the issue by telling my pro that if he wasn’t going to enter the comp with me, I would enter it with my LongDistancePro (LDP). This may have created some unintentional friction. When I mentioned possibly competing with LDP as my partner, I did not intend it as a “threat.” I was using that to demonstrate how serious I was about entering the HOA comp. But in the current climate of uncertain revenue, the studio might have seen my actions as a threat to take my business elsewhere...even though I emphasized that I would only compete with LDP if I couldn’t compete with my first choice (local pro).
Pro’s reaction was less convincing on this point. He SAID all the right things: of course they didn’t see it as a threat, of course it was clear that he (Pro) was my first choice, of course I’m free to dance with anyone I want, but of course why would I even want to dance with any other studio, much less one that is two hours away...but his tone was a bit more wooden on this topic.

Anyway, it was good to clear the air. Idk if Pro will pass on any of this to Studio Mgr, but it’s ok either way. I just needed to get it off my chest.
 
Well, one night down; one night left to go. Tonight was smooth. Next Friday is rhythm.... But opportunities for live performing are few and far between, so even though tonight basically sucked, I’ll go next week also.
Attended Studio’s “Rhythm Fun Night” last night. It went better than the smooth night; not because my dancing was any better, but because Pro had clearly heard what I said, and went way over the top in his efforts to make it “fun” for me. No glaring, no sarcastic comments - all upbeat. A couple times his eyes got wide when I messed up badly enough to throw off even him (spun myself in the wrong direction in mambo, completely dropped our handhold in swing - ugh), but of course he recovered quickly. He gave me an enthusiastic hug after each heat (as opposed to dropping my hand and stalking away angrily, like he did several times last Friday).

I felt quite embarrassed. It wasn’t my goal for him to treat me with kid gloves, although I understand why he thought that was necessary. I was actually relieved by him saying things under his mask a couple times, like “slow down a little” and “forget it - just come back to basic.” And a couple times he did throw in a new move, like unexpectedly saying “double!” right before a spin, and then spun me twice even though we’ve never done more than one (it worked! and I didn’t even get dizzy!).

He must have told his wife about our conversation this week. After one of the dances during which I messed up some new move he had tried to lead me through, she came over and hugged me, saying, “you shouldn’t let that bother you!” (It hadn’t. I know I’m still a beginner.) “Trying new things is what makes you grow as a dancer!” (I knew that.) “Don’t worry about it. It should be FUN!” I assured her that I was having fun, and that I wouldn’t dwell on my mistakes. She seemed inordinately relieved at my response.

Pro was trying to explain to me, at my last lesson, that there aren’t really any “new” moves for me to worry about. The elements are basically the same. There’s a forward step, a triple step, a side break, a rock step, etc. As Lead, he puts them together for me and signals what I should do. I don’t need to know the name of the pattern or even if it IS a pattern... I just need to follow him. And I really made an effort to do that last night, but it’s going to take some work for me to get out of my own head.

When I took my phone off airplane mode after the event, I was overwhelmed by all the messages and texts waiting for me, and my stomach dropped when I read the news of RBG’s passing.

I cried all the way home. I’m still crying. What a devastating loss for our entire country.
 

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