I lost sight of the milonguero movement meanwhile. For me the introduction of the
Campeonato Mundial in 2003 and the recognition of the Tango as a UNESCO
World Heritage in 2009 forced this style into the background, as Escenario and Urquiza (aka Salón) dominated the public perception. Milonguero style (aka Apilado, del Centro, Confitería) was considered rather kind of mean urban folklore. But
Susana Miller,
Mónica Paz and
María Plazaola seem not to have given up. Alone
Carlos Espinoza hasn't so far undone his conversion to the salón style.