These are called ochos milonguero, or "vanilla bean ochos" by Homer.
Can anyone tell me why they are so-named (vanilla bean that is)?
Ask questions, meet dancers, and be part of the conversation.
These are called ochos milonguero, or "vanilla bean ochos" by Homer.
You are free to call me ignorant when I start criticizing things that I don't know about. Right now, it's just you doing that.I didn't use the expression "milonguero" because what I have to say applies both to close and very close embrace. An ignorant person like me is well aware of the world of dance in general. I did take lessons of that (rather) new afro-style tango dance called "kizomba". And you? What do you know about dance? You're doing well answering to people with their own words but so far you haven't shared your huge knowledge. Should I consider you're more ignorant than me?
Ok I agree these (milonguero) ochos are correct. If only most of people do them that way it would be great. Unfortunately that's not the case.
Because Homer Ladas in his classes likes to invent names like such.Can anyone tell me why they are so-named (vanilla bean that is)?
Because Homer Ladas in his classes likes to invent names like such.
Not the case where? In your milonga?
What makes you assume most people on this board, for example, do them wrong?
Well, OK, but presumably not completely arbitrarily? It doesn't matter: I'm just curious.
Because the resulting figure of steps is long and slightly curvy? just a guessCan anyone tell me why they are so-named (vanilla bean that is)?
From the response on this board you might notice that the majority of people are aware of technical details of dancing in close embrace, and there is a reasonable hope that they at least strive to execute it right. Would not you agree?In most milongas in my area and also everywhere on YouTube. Maybe am I not lucky that good milongas are not to be found on YouTube?
Because the resulting figure of steps is long and slightly curvy? just a guess
From the response on this board you might notice that the majority of people are aware of technical details of dancing in close embrace, and there is a reasonable hope that they at least strive to execute it right. Would not you agree?
Good try, but I'm not talking about that kind of ochos. The follower still sends back her legs straight backward. That's the diagonal movements initiated by the leader that force her to cross while her legs are still in the air. I should add that there's no need for pivot / dissociation because her pelvis is already oriented (in the diagonals) by the leader.
Well I can guess many people here are aware of the technique. Still, many misunderstandings have brought out some lacks of technique and I think it's important to debate about them.
I didn't use the expression "milonguero" because what I have to say applies both to close and very close embrace.