JournalInTime
Forum Master
Same. I want to become as skilled as possible for a man who started tango at age 45 and who is now 57 – which I gracefully accept will never be "maestro" level – and I want to continue to dance as well as my age permits (which I accept won't be masterful) for as many years as possible. To that end, I work weekly with a coach who is older than I am, who started dance as a little girl and tango in her late 20s, who has 30+ years of tango experience, and who now devotes more hours to being a Pilates and yoga instructor than to being a tango teacher because it pays better and is safer for her body. I know that she has "been there and done that," and can show me how to dance sustainably.I'd like to dance like some 'maestros', but I know I'm starting too old,
More on topic: I've never once worried about power dynamics or inappropriateness in my coaching arrangement. My coach has devoted her life to body disciplines that mostly aren't tango, and that are taught mainly to people with disposable income, who hold all the power. Her livelihood rests on her flawless reputation – "I have never done anything inappropriate," sure, but most often, "I have never injured anyone," and, "I adhere to the letter of every contract."
Back off topic again: I don't care that my coach is female while I'm male, or mostly follows while I mostly lead. I have a life and dance partner to dance with, and I am not paying my coach to dance with me or my partner, in either role. I'm paying for an external eye to watch my partner and me, and to correct what we are doing based on decades of dance experience (in a dozen styles, not just tango) and fitness training (a wall full of diplomas). Our work is about technique, expression, and communication . . . we last discussed steps c. 6 years ago, so I don't need her to show me how to lead X. In rare situations where we need an example with a body more like mine, we bring in a second, male coach for the session.
I have zero tango role models, and don't want any. I admire many dancers, but without their experience and, more important, physical and mental gifts, I cannot sensibly model myself on them. When I watch a live or recorded performance, it's to admire it as art, not as inspiration for my own tango. And my coach who's a woman who mostly follows rather than a man who mostly leads can't be a role model in any usual sense . . . though yes, she is the ideal I aspire to when it comes to respecting my body as I dance toward my 60s.Disappointed - in the sense of expected better, but we're all liable to err. Just don't put them up on a pedestal from which they will fall.
Of course, I'm not blind. I see milongas full of people attempting steps – mostly show steps – they saw some maestro do, usually with bad technique that will hurt them and/or their partner. I'm also not deaf, and hear these people talking about workshops and lessons with this or that maestro that they admire. I realize that many people do have role models and consider dancing like them now to be more important than being able to dance a small, subdued social dance when they're 80. That's their call . . . I'd rather be walking nicely at 80 than showing off at 57, and firmly believe that those showing off at 27 won't be in shape to dance at 60, never mind 80.