Fast Tango or Milonga

The impression I get is that whilst a small minority of social dancers dance a good milonga beat with the accent in the same places as the music, the majority just dance tango on their toes to milonga music.
 
i don't smile either... unless i'm listening to biagi... or tanturi... or troilo... or canaro... or di sarli... or ... crap.
 
I smile (or not) depending on my leader. Went around grinning like a fool for a tanda+ this past weekend.
 
I smile (or not) depending on my leader. Went around grinning like a fool for a tanda+ this past weekend.

yes- i suppose that would be me as well...but in general, just listening to milonga tends to make me more smiley. :p
 
http://www.youtube.com/watch?v=8wcKFnUI-YU&feature=related

This Milonga video will demonstate the Milonga beat in a very pronounced
manner as the instruments are minor and do not drown it out.
Just listen for this beat when a fast number is being played..if you hear it
sounding like this, it's a Milonga....simple!
It took me about 5 weeks to figure this out but once I did, I never was in
doubt again.:cool:
 
Yes, there are musical and dance technique differences, of course, but one learns the differences mostly by ear and feel.
 
bastet said:
Libertango is a very fast tango
Actually...Libertango is a milonga. Many persons do not know that, and, yes, we all dance tango to it...for whatever reason.
Ha!

I love Libertango, because of how interesting it is. Especially for the whole tango v. milonga debate.

Personally, I hear it as a normal-speed tango...with a lot of filigree.
 
Ha!

I love Libertango, because of how interesting it is. Especially for the whole tango v. milonga debate.

Personally, I hear it as a normal-speed tango...with a lot of filigree.

Listening to it, I can hear either possibility.

However, if I listen to it as a milonga it is very slow and then dancing milonga rhythm your dance would be too slow for the melody line, it would seem...I wonder if Piazolla created it this way to cause ambiguity. It wouldn't surprise me.


I have most often seen it danced as tango becasue I guess it fits the melody and when I was in one milonga class, Oliver Kolker used it as an axample of fast tango melody when someone responded to his question of "what makes a song milonga" and they said "fast" rather than the Habanera rhythm.

I don't particularly like the song myself (call me barbaric, I guess) and only hear it if someone else plays it but that's just me. I prefer slower Piazolla songs for listening and possible dancing.
 
Hi HockSiew,

the difference is: tango has a 4/4 beat and Milonga a 2/2. Milonga is kind of argentine polka.

@ Angel

..Libertango is a milonga .. and ... we all dance tango to it...

I think its a tango, but I usually dance milonga to it ;-)

Greetings
 
I just happen to have Tango The Art History of Love in front of me, so I could quickly look it up.
In Kongo and Angola it menat "melt to the music," "step it down," "start to party."
"Canyengue is the pure essence of the beginning of tango around 1900"
Canyengue was bent forward and crouching verses the "resolutely vertical torso" of tango criollo (native tango of Argentine born compadritos and creolized Italian immagrants, the and later styles of liso and salon.

She falls on his chest. He falls on her chest. The pressure is shared as both bend their knees.
Leaning performed solo by Afro Argentines met the two person lean of the polka.

The blacks carried one hand down to the level of the hips, and the white toughs picked up on this.

The short steps of canyengue follow the beat which does not permit taking long steps.

Etc etc

Dunno. It's a bit much to sort through.

I remember when an Argentine man told us that milonga was a black person's dance, so we shouldn't dance it stiff and straight, after hearing pretty much the opposite from many other teachers. He was right, of course, but how the music sounds still determines how I move, milonga, tango, whatever.
 
You might want to look through the sheet music available... [/URL]

Hi Steve,
I really got no answer to this question, because some tangos I really supposed to be written in 4/4 are actually in 2/4. But, very often the melody goes over two bars in this peaces, while in true milongas almost every second note is stress throughout the peace.
 

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