Just: Wow! I just can't be that precious and selective, or imagine how restrictive that could be.
Fair enough.
Perhaps I'm spoiled by the fact that I rarely have to
be selective or
feel restricted. Out of the, I don't know, call it 60-80 tandas I dance in a typical week, there might be 2 or 3 (<5%) where I do not have more than one choice of interesting partners – and there's almost always one evening a week when I can't even get around to dancing with all the interesting partners.
I often hear, "When a dancer doesn't invite you all evening and then says, 'We'll dance next time,' it's just a poor excuse." This mystifies me. Deferring a tanda to next time is a thing I do regularly, and with complete honesty: I didn't have time to invite someone I had every intention of inviting!
I might have a totally different attitude if I didn't live less than 10 minutes on foot from two dedicated tango studios.
I also remember the tangueras who helped me.
So do I! They are "interesting," though, so they aren't default choices. They fall under my "
je ne sais quoi" clause, my interest being based on shared history rather than dance
per se.
I dance one or two tandas with beginners per milonga and more than that per práctica. This is still based on interest, though, and not on a default "Well, if I don't, they'll feel left out." In this case, my interest is in community-building, so it's less than personal . . . but I project my impersonal interest onto the person so they
feel it is personal, and any compliments I give are personal and sincere.
An exception rather than common. Usually some hired space with other uses. Number of attendees variable from low double figures to hundreds (depending on location).
I think this gets back to my opening paragraph: Here, "hired space with other uses" is relatively rare. When it happens, it's usually either a dedicated tango studio that controls a space and rents it out for other uses when there's no tango going on, or a dedicated dance studio that has an associated tango school as part of its regular programme. Most often, though, it's a tango studio, with decorations and signage that says as much. Attendance varies here, too, but while "hundreds" would be a special event (ball, live orquesta, festival gala, etc., all of which we have many times a year), anything less than 30 people is usually seen as a major failure, and two places I frequent set their line for success at 60.