ArbeeNYC
Forum Master
But there is, of course, and it's a big one. Several factors are involved.But there is still a certain connection. It is the symbolic claim that there should be no qualitative difference between stage and ronda.
Ask questions, meet dancers, and be part of the conversation.
But there is, of course, and it's a big one. Several factors are involved.But there is still a certain connection. It is the symbolic claim that there should be no qualitative difference between stage and ronda.
Craft is the least of it. Craft is simply a fundamental requirement.I believe your craftsmanship has to cross a certain threshold before you can be considered an artist.
Well, is it art, yes, maybe, although it's usually determined by consensus. However, art, when it comes to dance, does have certain prerequisites. One being intentionality.
What they do at the level they do can’t be replicated easily. Talent + years of practice.You could argue that dancers just following a template laid out for them by others aren't engaged artistically though. Although I'm not sure how to classify symphony orchestra players or ballet dancers in that case?
In the alternative milonga about 50 with little deviation, and in the other twenty something.….what was average age of those two milongas in Berlin.
Well, I consider my social dancing to be art since I am constantly making conscious interpretative choices both on a macro level (what are the principles of my style) and micro level (how to express this musical passage with this partner in this space)
You could argue that dancers just following a template laid out for them by others aren't engaged artistically though. Although I'm not sure how to classify symphony orchestra players or ballet dancers in that case?
You're free, of course, to classify what you do any way you like. But that's a purely personal estimation of what you're doing. There is certainly intentionality and design in choreography in the case of modern dance. There is also the matter of concept and expression. I don't want to get bogged down in a pointless discussion of what art is, but we don't need to consider any of the well-known milongueros as artists in order to appreciate what they have done. Performers all believe they are artists. As far as I'm concerned, the jury is still out on that. It's a label I don't use lightly.Well, I consider my social dancing to be art since I am constantly making conscious interpretative choices both on a macro level (what are the principles of my style) and micro level (how to express this musical passage with this partner in this space)
You could argue that dancers just following a template laid out for them by others aren't engaged artistically though. Although I'm not sure how to classify symphony orchestra players or ballet dancers in that case?
A rather individualistic definition of "art."So a dance can be art for a single person, a couple or a group of audience: if their feelings/emotions are activated by it.
Here you go. He has others on leader’s walk:Thanks.
Is there a video about this projecting technique to watch and apply?
Having an understanding life partner is good. It can go the opposite way. Partner doesn't like dancing and taking lessons and get jealous at husband going dancing in the evening with different women, and may request instead to spend time with her doing something else and give up Tango.
And then, you may have a Tango girlfriend/life partner, relationship doesn't work out. Followers talk to each other, and drama gets into the Tango community, and you may get trouble getting dances.
I don't want to get bogged down in a pointless discussion of what art is
but we don't need to consider any of the well-known milongueros as artists in order to appreciate what they have done.
Did I? I believe that was in response to another comment. I don't believe it defines how we dance though unless you specifically set out to be a performer, which I am not. (I don't believe that makes one an artist, simply that the goals would be different.) Be that as it may, it's not a question we're going to resolve here.But you started it based on your own personal definition, and the personal belief systems are actually relevant because they ultimately define how people dance and whom we are compatible with
That's a more nuanced view. I prefer to think of it as artistry when it comes to dance. And for social dance, for most people, even that is more of an aspiration than anything else given the skill set involved. That's not a criticism of social dancers by the way.I think I maybe agree with you on this!
A lot of people are doing wood work and schools have classes for children. But you are called for a carpenter when it is your profession or a great activity in your life.
In the same way art work can be part of a persons life but s/he is not an artist.
Here is a youtube video about Tango projecting technique.
And from Gustavo Sabà on Walk & Projection
I guess "projection" means "extending the leg." The teachers teach different things. One says, "Don't bend the knee." Another says, "Bend the knee." One walks with his head at a constant level. Another walks with his head bobbing up and down. Each teacher acts as if his/her way is the only way.Here you go. He has others on leader’s walk:
In the same way art work can be part of a persons life but s/he is not an artist.