Wading a Little Deeper into Close Embrace
Touchy feely and long post alert!
Seeing the elephant in the room (for the record, not Newbie's avatar) about my aversion to hugs has been mentally freeing. An outside observer might miss the changes. While I don't seek out hugs, and still try to keep them brief, I will actually now raise an arm to share a quick hug with those I know enjoy them -- in contrast to standing there motionlessly as possible and only reciprocating as late and little and briefly as possible. That's progress one arm at a time, the goal is to use both arms sometime before the 2020 elections (That's a joke! I do now even go as far as using both arms.) The freeing thing is being able to see the joy a hug can give rather than 100% of my brain cycles thinking about escaping or minimizing the hug. The dance community has moved this "therapy" along at a good clip, I can get half a year's worth of hugs in one night at a dance event! For the record, DW has always been excepted and I enjoy frequent hugs with her.
Here are some mini close embrace snippets:
I did a Blues close embrace class. I was teamed with an older lady who was so short she rested her head on my chest. She was short enough I could see her face and could see from the dreamy look on her face she was really enjoying it.
An instructor point blank told me I should do the last song of a Tanda in close embrace with her. It was simple steps, but I did it and she said I weathered it well (she knows about the hug thing with me).
We traveled to a Tango workshop. I danced with about 30 different ladies (easily a personal record for Milongas), and danced about 3/4 of the Tandas, mostly in open embrace. I had some interesting close embrace adventures.
A lady from my area kept complaining that open embrace was too hard and close was so much easier. About halfway into the final song of the Tanda I greased the squeaky wheel and did close embrace for walking but would go open for other steps. I told her I didn't have much close embrace training, but she said I did well.
Remember that lady that was high on hugs and gave me a record long hug? (Here is the post:
http://www.dance-forums.com/threads/not-touchy-feely.45840/page-5#post-1073824 ) We did a tanda. For the last half of the last song I initiated close embrace with a nonDW lady for the first time at a Milonga. Part of my motivation was a peace offering of sorts for how I treated her the previous year about her extended hug. After it was done she continued to hug me for several seconds. I realized she was likely enjoying it. She said "That was nice," and I think that referred more to the close embrace and ending hug than the dance steps.
One lady commented I was the first time she had danced open embrace in a long time.
Several ladies tried to pull me into close embrace. I resisted them all but one. Most were gentle tugs, but one lady was quite insistent and applied considerable force. So insistent, in fact, that I gave in about 1/2 way into the first song of the Tanda. She then didn't resist switching between close and open and vice versa.
Here is some Tango Distance touchy feely self analysis. I realize my close embrace and hugging vocabulary and body-language-reading-via-touch is not very well developed. With my years of speaking and facial reading I'm reasonably good at those (perhaps even as good as males typically get

). With my new forays into communication by torso touch I'm a beginner. It's hard for me to tell if the lady is enjoying it during, I'm relying on her saying something or facial expression afterwards. I'm not sure exactly how I am coming across to the ladies. Is it "Domo arigato Mr. Roboto!"? Is it "I had wonderful warm fuzzies whose memory I'll treasure until I die!"? Maybe it is something in between, like "Yep, he shouldn't quit his day job but it was better than sitting for the 6th tanda in a row!"
Here's an interesting observation: Several ladies tried to pull me into close embrace the whole tanda, which I resisted the whole time. For both of the ladies I tried this with, once given close embrace the ladies seemed then OK to break it. I base this on they would keep trying to pull me into close embrace (or even say something), but once they experienced even a brief close embrace the pulling stopped. Maybe my CE was so bad they were relieved it was over

or maybe it was just getting the reassurance/validation that I knew CE was OK to do? It had never occurred to me that maybe brief periods of close embrace "check the box" and the ladies are then happy (maybe not ultimately happy, but at least OK) to continue in open embrace. Comments on that? Maybe I'll treat close embrace as another dance step and throw it in sometimes. It had not occurred to me that going CE briefly would stop further requests for close embrace. Another thought I had is some music seems to call for close embrace more, and some more for open <dons protective gear

>.
Regarding the several ladies who pulled with their arms the whole tanda, trying to initiate close embrace: Do they think I'm not getting the hint maybe? Do they want to make it really clear I'm welcome to do CE? Do they want to encourage the nervous newbie to try it? Are they hoping to teach me the real essence of Tango? Do they feel rejected? I suppose it doesn't help seeing me do some blissful CE with DW but then refusing to do it with them.
DW said she saw I received multiple hugs at the event. She asked "Has it occurred to you these hugs might be good for you?" Interestingly, it had not. I realize abstractly that others enjoy hugs and that makes the world a better place and therefore indirectly benefits me, but hadn't thought that it could be a direct benefit to me (not accepting that premise yet, but will think about it).