africana
New Member
This is an off-shoot of my exchange with tacad in the "Stag" thread on the concept of stepping outside the lead-follow box, dancing with more imagination, improvising to the music
I don't have a video of myself to show but I found a good example of this philosophy of salsa dancing on imambo.tv
log in first and
- click on: http://www.imambo.tv/mambo/index.php?option=com_zoom&Itemid=47&page=view&catid=51&key=8&hit=1
or
- go to: Mainscreen > PaLante Social with Delph > pablo_wilmarie.wmv
some key observations
- there is lead/follow through most of the dance, he leads her through some mambo patterns
-But watch how the girl is comfortable with initiating crossovers, and her own independent freestyling, in addition to inserting styling while following
-the overall feel is earthy and funky, with guaguanco/rumba moves that match the transition of the music to rumba
-they interact well both in hand-held positions and separately
-this dance is a real partnership rather than the lead executing his will on the follow 100% of the time or vice versa. in fact at certain points there is no classic lead/follow, and the roles even switch as she changes their physical oreintation to the camera
-the girl has personality and is not afraid to show it, definitely not a doormat follow
-this is required 3-way communication. lead-follow-music
So what do you think tacad?
I don't have a video of myself to show but I found a good example of this philosophy of salsa dancing on imambo.tv
log in first and
- click on: http://www.imambo.tv/mambo/index.php?option=com_zoom&Itemid=47&page=view&catid=51&key=8&hit=1
or
- go to: Mainscreen > PaLante Social with Delph > pablo_wilmarie.wmv
some key observations
- there is lead/follow through most of the dance, he leads her through some mambo patterns
-But watch how the girl is comfortable with initiating crossovers, and her own independent freestyling, in addition to inserting styling while following
-the overall feel is earthy and funky, with guaguanco/rumba moves that match the transition of the music to rumba
-they interact well both in hand-held positions and separately
-this dance is a real partnership rather than the lead executing his will on the follow 100% of the time or vice versa. in fact at certain points there is no classic lead/follow, and the roles even switch as she changes their physical oreintation to the camera
-the girl has personality and is not afraid to show it, definitely not a doormat follow
-this is required 3-way communication. lead-follow-music
So what do you think tacad?