Not sure what the hi tech solution is.<- non Facebook mirror
Clearly follower is back leading.
Ask questions, meet dancers, and be part of the conversation.
Not sure what the hi tech solution is.<- non Facebook mirror
The lead is doing exactly what the follow desires. It’s telepathy broNot sure what the hi tech solution is.
Clearly follower is back leading.
That’s not hitech, more like ancient techIt’s telepathy bro
It's to everyone's benefit that a variety of milongas exist that span the breadth of traditional to queer with waypoints in between. People are pulled in by different aspects of the dance and do not have uniform preferences regarding intimacy or trust which includes an accounting of the environments in which they feel free to express themselves.But, to dancing... I agree with that first viewpoint: Our codes are not static, but a living mirror of our identity that adjusts to new times
however, it goes on to say...
must be renewed to embrace the sensitivity of our present and the dynamism of today's culture, always protecting the essence of our root.
There are clearly some who wish to retain earlier rules, even if archaic relics in society. Some later viewpoints reflect: my milonga; my rules.
I take your point, but that depends on the legal codes, and why the laws change. Some 'traditions' exploit and oppress, or exclude a group. Should we 'allow' male, or women, only 'clubs'? Women-only is less frowned upon because it's seen to protect women from men; male-only is, in some jurisdictions, illegal, because it excluded women from, let's say, 'networking' and decision making.Even if such dances runs afoul of a country's legal codes we ought to desire for them to be preserved and sustained rather than call for their downfall so long as there is sufficient participation that they may continue to put out a ronda.
Nothing is to everyone's benefit. Opinions about what is in the best interest of the community are also usually shaped by one's own situation and needs. (This is no more true for community leaders like tango teachers and organizers than for others, but it is more evident in their case.)It's to everyone's benefit that a variety of milongas exist that span the breadth of traditional to queer with waypoints in between. People are pulled in by different aspects of the dance and do not have uniform preferences regarding intimacy or trust which includes an accounting of the environments in which they feel free to express themselves.
I consider this (in Germany) a fake debate. As far as I know, organizers here are allowed to hold dance events for young and old, women and men, with gender balance or double rolers. There are also rulings from the highest courts regarding dance events with bouncers.Even if such dances runs afoul of a country's legal codes we ought to desire for them to be preserved and sustained rather than call for their downfall so long as there is sufficient participation that they may continue to put out a ronda.
In that sense, it wouldn't be a tragedy for the general public (99,9...%) if tango itself were to die out (again). It's simply a leisure activity that has been replaced by others. Even if some people mourn their "investment".If the so-called 'traditional' milongas are only beloved by 'dinosaurs' then let them die a natural death; just as the actual dinosaurs enjoyed. All calls to end them early, especially by state mandate (law), feel to me as coming from a place of anxiety and deep insecurity. If what you put out is something worth having, people will come, if they prefer something or someone else, then maybe what you're offering is not for them.
Hotshots and wallflowers usually have a different view on this aspect as well.Alternatively, if this is about someone needing access to everyone everywhere at anytime of their choosing, then they ought better to develop some humility. Not everyone wants to dance with you or near you. Those who don't desire it don't owe you an explanation. Having the tact to accept that is part of becoming a fully faceted human being.
I used to live in a super lead heavy city. It was always interesting that the instructors didn’t care about the imbalance. Oh, you have to stand for half of the class without a follow, whatever, suck it up.Dance gatherings? Discount if you bring a male?
Yes, I've observed that as well. Half-price (or better) entry to a milonga if you bring a lead.Now there are a lot of classes where they can’t find enough leads and it’s super interesting to see all the incentives that get invented to try to get more folks in to work with followers.
Here in Northern Europe, dancing is much more popular with women across the board, so these differences don't exist.I used to live in a super lead heavy city. It was always interesting that the instructors didn’t care about the imbalance. Oh, you have to stand for half of the class without a follow, whatever, suck it up.
Now there are a lot of classes where they can’t find enough leads and it’s super interesting to see all the incentives that get invented to try to get more folks in to work with followers.
goodnighttango.com
I consider myself a fairly confident leader. I have put in the years, I care about my dance, and I am not easily discouraged. And yet when I look at the female leaders in my community… at the ease with which they move through the room, especially as beginner leaders, the warmth with which they are received, the invitations that come to them in ways that simply don’t come to me… I know that I am not competing with them. Not really. Not because I have decided to opt out, but because I can see clearly that the competition, as it actually exists, is not one I can win on equal terms.
That recognition doesn’t devastate me. But I am a fairly confident leader now, but it took me almost ten years to arrive in this place. I can hold that knowledge and keep dancing anyway.
A beginner can’t. A man who is two years into tango, still uncertain, still building, who watches this dynamic play out in every milonga… he doesn’t have the reserves to absorb it. He doesn’t frame it as a structural problem or a market failure. He just feels it. And what he feels is that the effort required is enormous… the return is uncertain… and the floor seems to be telling him quietly and consistently that his place in it is shrinking.
So he stops pushing. He finds his level, and he stays there. Or he leaves.
And we look at him and say he doesn’t care.
I only can confirm this observation. Females in a leading role are generally so much more grounded, flexible, and at the same time more upright than their male colleagues. I cannot understand why Bailango hasn't noticed it yet...And yet when I look at the female leaders in my community… at the ease with which they move through the room, especially as beginner leaders, the warmth with which they are received, the invitations that come to them in ways that simply don’t come to me…
I'm really curious as to what factors might influence experiences here, as I haven't observed this effect at all – and from what I can see, I'm a less experienced dancer than he is.But of course, this shift is by no means "good for everyone."
I am reading an equally well-considered response here:
A follower choosing between an unfamiliar male leader and an unfamiliar female one faces a different calculation in each case… different histories, different social dynamics, different physical considerations. The female leader starts with a lower threshold to clear in that respect.
If I see a woman leading in flat shoes and I haven't seen her following, then I would be wary of cabeceoing her as a follower, as I don't want to cause offense by making it seem like I assume she follows just because she's a woman. I do know at least two female leaders who only lead.Also, my experience is that after my first tanda in the evening as a leader, I get far less cabeceos from male leaders. I don't know why.
Isn't that self evident? You've moved AT to being about the 'dance' more than a heterosexual social event. Most men didn't start to learn AT to dance with the same sex - nor women to 'follow' with a female leader (although that perspective is more complex, as you've noted - earlier posts and other threads point out that the early days single-sex práctica was about who was available to learn, and with the objective of 'getting the girl').Also, my experience is that after my first tanda in the evening as a leader, I get far less cabeceos from male leaders. I don't know why. But usually when I start leading, I have to dance the rest of the tandas with women because men stop inviting me for some reason.