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The objective of learning AT was to put the "dance moves" into practice in social dancing, and that would naturally have to be at a milonga. We had some limited experience at practicas, which were similar to a milonga but less formal.
We'd had previous experience using AT, and including other dances, at a ballroom 'tea dance' (and around 40 years experience in other dance form).
Was it too early to go to a milonga? In retrospect, with current knowledge, possibly, but you've got to start somewhere and sometime. Fortunately we'd chosen a friendly, welcoming, informal, milonga. We survived. We learned the limit of our tango vocabulary that we hadn't known, and set about improving. We did, at least, have each other to fall back on. I guess if it had been a more formal, very traditional, higher level, milonga then we might have been scared off. Some milongas we've attended since have had a clique of self-certified maestros who consider anyone outside their circle as inferior, and really are best avoided and consigned to the ashes of history, or made private until they die out.
I guess that was a failing, at the time, of our regular classes. With a change of teachers they have got better with regular weekly practicas for beginners and the less experienced, who were actually welcomed, leading on to a monthly milonga, to which the less experienced are welcomed, with the format explained.
Another interesting format we've come across has been a formal milonga with a separate practice area - and the option of calling on some teacher for help. I guess you could just call it a practica, but it satisfies both experienced and less experienced social dancers
To promote AT it does need to be more welcoming with a better transition to social dancing for the less experienced. Most people didn't start AT to spend 15 years learning to walk before they can go to a milonga. The objective of learning a dance is, well, to dance in some setting. The intro to social dancing has got to be a part of any formal AT instruction course. It's not a good policy to frighten people off.
In London, in my limited experience, there is no shortage of generous and encouraging followers when they know someone is a beginner who is putting in the work.Women at our local milongas are less tolerant of beginner leaders
Nearly the same with me.My first time ‘dancing’ in a milonga was five lessons in - though that was a highly experienced follower taking me into the centre of the pista where we wouldn’t get in anyone’s way.
My first time leading strangers in a milonga was two months in. My dance was incredibly basic, but no-one died. However, it was six months in before I dropped below Defcon 1 as Latin Jazz aptly puts it.
Which Milonga in the city you are referring to?Women at our local milongas are less tolerant of beginner leaders, maybe they expect more or have access to skilled leaders. Almost all of the beginners, leaders that is, bring a partner (or pay one).
If you could dance relaxed in Milongas after 6 months only you must be very talented! As a leader?
All of them! At least when I was first starting out.Which Milonga in the city you are referring to?
I notice with envy that some teachers made the effort to prepare their students.
There's often more traffic in the line of dance on the outer edge, so it's more congested and you need better floorcraft. Also, beginners have a tendency to STOP and practice stuff they learned, which is not a good thing for dance flow. Inside can be a bit chaotic but sometimes there's a quiet zone in the center that you can treat as your safe place. A lot of beginners don't even realize there's a line of dance and such a thing as dance flow.The middle seems to me even today to be tricky - there is no flow, so its about (stationary) vocabulary, and as a beginner the only thing to do is a giro and maybe a calesita? Thats not much to fill 12 minutes with.
Strange. I found it very difficult at the beginning not to advance too quickly. I still find dancing stationary more difficult than advancing.Also, beginners have a tendency to STOP and practice stuff they learned, which is not a good thing for dance flow.