...Those who teach don't dance socially...
Are there any notable teachers who dance socially?
Ask questions, meet dancers, and be part of the conversation.
...Those who teach don't dance socially...
...Is it any wonder why dancers aren't learning the codes and customs of the milongas?...
Alicia Pons dances socially, so does Enriqueta Kleinmann. Monica Paz, Muma Valino, Myriam Pincen, Romina Hahn. Among men, Blas Catrenau, Alberto Dasseu, Nestor La Vitola, Cacho Dante, Jorge Kero, Marcelo Solis ... Osvaldo and Coca Cartery. I am naming names that are probably considered notable by people from abroad, there are other milongueros and milongueras who give lessons and who still go to milongas to "milonguear", not to work or look for business.Are there any notable teachers who dance socially?
Yes, once in 13 years. She was in El Arranque many years ago. I was surprised. She may go to Salon Canning or Sunderland Club, I don't know. But if she showed up in Lo de Celia, she would have to be patient for invitations like any other newcomer.
Alicia Pons, Enriqueta Kleinmann... Muma Valino
I have had workshops and private lessons with these three teachers and they are all amazing. I would highly recommend them. Alicia Pons is the only one of them that can speak English pretty well though. With Muma and Enriqueta, we had to use a lot of hand gestures, but it did not get in the way of understanding.
This quote above makes me think that Tango is not the center of Graciela's life and even though she calls herself a Milonguera, she isn't a Milonguera in the old sense. In fact, I myself start to feel lost after only a week without tango, which only happens if I go out of town.
This is from an interview at Tango Pulse:
Graciela: I believe that for the new generation, Tango is an element chosen but it’s not the only thing.
Q: Are you part of the new generation?
Graciela: I’m part of the generation of the 80′s. For example, last year when the fire happened there were no milongas for more than a month, the man El Tano Guillermo didn’t know what to do with his life. He was totally depressed. The place where he belonged was closed. So for many people of that generation, the milonga is their life. His past? He lived for a long time in Canada. He danced milonga traspie but with troubles with his life, he changed."
This quote above makes me think that Tango is not the center of Graciela's life and even though she calls herself a Milonguera, she isn't a Milonguera in the old sense. In fact, I myself start to feel lost after only a week without tango, which only happens if I go out of town.
I have had workshops and private lessons with these three teachers and they are all amazing. I would highly recommend them. Alicia Pons is the only one of them that can speak English pretty well though. With Muma and Enriqueta, we had to use a lot of hand gestures, but it did not get in the way of understanding.
That's odd. Enriqueta's bio states she lived in the United States years ago. How is she managing to teach in so many cities in the USA without a good command of the language?
The young generation today see tango as a way to travel the world making money with tango. It's not in their hearts as it is in the older generation from the milongas. Young people don't see any future in Argentina, and tango gives them a means of escape...
For me, Argentine Tango is not just a dance, it's a lifestyle and I admit that it's hard for me to trust learning from a teacher that does not live the argentine tango lifestyle, because they may have something to teach, but it will be soulless. Is that wrong?
Tango isn't the same for Graciela, although she has a name in tango for her association with Pupy Castello. She took classes with Gustavo Naveira beginning in 1988. Pupy needed a short partner, and Graciela fit the bill. He trained her in his style. Milongueras like Margarita Serrantes, Amanda Lucero, Nely Fernando learned dancing in the clubs. Tango is everything to them. It's work for Graciela.