Why is that sad? I’m generally in tshirt/pants myself most of the time, with the big weekend milongas i’ll toss on a dress shirt. And frankly don’t care what the followers wearThat's sad.
Ask questions, meet dancers, and be part of the conversation.
Why is that sad? I’m generally in tshirt/pants myself most of the time, with the big weekend milongas i’ll toss on a dress shirt. And frankly don’t care what the followers wearThat's sad.
Same here. This evening, I danced with a women wearing short shorts and a sort of halter top, and she was totally covered in tattoos. Some dude described her as "the girl with all the tattoos," which is when I noticed the ink and the clothing that made the ink visible. I can honestly say that for the most part, it's eyes I look at and remember.I am not sure I know what women wear. I might have finished a tanda with someone and if you ask me what she was wearing or color, I am very likely to draw blank. If it is something common it doesn’t register. If it is uncommon and stands out, it will register only because it is standing out. It doesn’t influence whether I want to dance or not.
You avoid examining the art of others because it requires time and effort: Even beyond taste preferences, his choreography in "María de Buenos Aires" meets high objective criteria: the spatial integration and use of the stage, the tension between solo dance and choreo of many couples on stage, the portrayal of emotions through movement, the tension between fast and slow scenes.Don't like.
'Like' is subjective. No matter how much work has gone into it, whether or not it meets objective requirements, it may still be disliked.high objective criteria
It doesn't matter how well they integrate space or use of the stage; it's not a style I enjoy watching. Has nothing to do with examining the art of others. There are plenty of others whose work I like. We all have our preferences.You avoid examining the art of others because it requires time and effort: Even beyond taste preferences, his choreography in "María de Buenos Aires" meets high objective criteria: the spatial integration and use of the stage, the tension between solo dance and choreo of many couples on stage, the portrayal of emotions through movement, the tension between fast and slow scenes.
Some people care. And some make an obvious effort to care.Why is that sad? I’m generally in tshirt/pants myself most of the time, with the big weekend milongas i’ll toss on a dress shirt. And frankly don’t care what the followers wear
Authenticity has always been important to me, even in tango. I prefer people who dress at the milonga as if we were meeting in a restaurant that evening. There were times when I didn't follow this pattern and dressed up as if for a role-play. But that actually was a long time ago...and I don't believe that my partner's mode influences who will dance with me later on..
Haha! There won't be a book on tango unless I retire . . . and even then, it'd be competing with 1,000 other books on tango.Congrats, you've written a nice little miniature here! I enjoyed reading. Are you using it for your book?
That's your choice, of course.Authenticity has always been important to me, even in tango. I prefer people who dress at the milonga as if we were meeting in a restaurant that evening.
The huge irony to me is that I wear very 'boring' colours: a white linen shirt (I have a dozen identical ones) and a pair of tango trousers that are either black, a very dark navy blue that probably looks black, or a very dark grey that probably looks black. Yet when I'm looking for photos of myself at events, 'white shirt and [almost] black trousers' actually stands out really well from the sea of more 'interesting' clothing!Others try to stand out with something bold, or at least a bold color, so that one can be found again in the crowd.
Between the ninjas dressed all in black, and the people hornswoggled into buying special "tango shirts" that are in funky prints but also kind of hot, plain old white stands out. I've noticed exactly the same thing when looking at photos of myself at events! My issues with white are how it becomes . . . well, let's say "not white" when dancing with people who wear makeup. Even those with excellent head posture seem to shed little particles of color.The huge irony to me is that I wear very 'boring' colours: a white linen shirt (I have a dozen identical ones) and a pair of tango trousers that are either black, a very dark navy blue that probably looks black, or a very dark grey that probably looks black. Yet when I'm looking for photos of myself at events, 'white shirt and [almost] black trousers' actually stands out really well from the sea of more 'interesting' clothing!
Initially perturbing**; nowadays just matter-of-fact. Women come equipped with them. Just another body shape.Guys, what is your experience with women breasts if you dance in close embrace?