JournalInTime
Forum Master
Everybody has their comfort zone, but be aware that I'm not talking about "grinding" here . . .I'm not at the point of doing any moves or embellishments where my groin is contacting my follower (even with my GF). And quite frankly, knowing her, I suspect my 'experienced' GF probably wouldn't appreciate me doing moves that involves any 'groin contact' with any other follower.
As you progress in classes, you'll be exposed to stuff like spiral leg wraps, where the wrap occurs during a twist of the leader's body that causes the follower's point of contact to ride up from low thigh toward the groin. You'll learn overturned ganchos, where the back of the follower's thigh stops in contact near the leader's groin.
You do not need these movements to dance tango. However, if you keep taking lessons, you'll run into them regardless – flash sells – and be asked to practice them with a rotation of partners (pandemic permitting). The objective of the contact is to guide or stop the movement of an unweighted leg, not to cop a feel. In fact, done right, the contact is barely perceptible because the leg is unweighted and its momentum has been checked.
See above for two examples of why it might.You might find that your own perspective and attitude changes as you dance more.
In the words of my coach, "If you're uncomfortable with contact involving body parts typically kept out of contact, tango might not be the right dance for you." She's a yoga and Pilates instructor who has taught movement disciplines her whole adult life. She doesn't hesitate to get hands-on and say, "This, not that."The dancers are generally ok with touch that isn't escalating towards sex.
I've inherited that attitude, and now see all body contact in tango in terms of "What movements does this contact enable? What physically unsafe movements does this contact help block? How does this contact make my dance faster, more stable, smaller, cleaner, etc.?"
I'm not living in Sodom and Gomorrah over here. If anything, my attitude is questionable because it's so clinical at times . . . I find it hard even to see the non-technical facets of contact in tango these days. But that attitude seems to be one that new dancers find difficult to believe exists.